{"id":9025,"date":"2014-12-01T01:05:00","date_gmt":"2014-12-01T01:05:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/12\/01\/jugant-a-desobeir-en-una-living\/"},"modified":"2014-12-01T01:05:00","modified_gmt":"2014-12-01T01:05:00","slug":"jugant-a-desobeir-en-una-living","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/jugant-a-desobeir-en-una-living\/","title":{"rendered":"Jugant a desobeir en una “living room” obedient"},"content":{"rendered":"

\"a)<\/p>\n

Durant la jornada de confer\u00e8ncies “Human Interactive”, recentment organitzada per la Goldsmiths University of London entorn les relacions humanes amb la tecnologia, la presentaci\u00f3 d’obertura va anar a c\u00e0rrec del director d’investigaci\u00f3 d\u2019una empresa de rob\u00f2tica, que va mostrar dos dels robots que estan desenvolupant i produint per a assistir les persones en la seva vida di\u00e0ria: “Robots Humanoides per a Tothom”.<\/p>\n

Nao, de 57 cm. d’al\u00e7ada, dissenyat per ser un futur producte de consum massiu, sembla ser la del\u00edcia de nenes i nens, que gr\u00e0cies a ell s\u00f3n capa\u00e7os d’entretenir-se pel seu compte, i de la gent gran amb alguna diversitat funcional, a qui els fa companyia i els llegeix els missatges de text dels seus \u00e9ssers estimats quan estan soles a casa. Sobre Romeo, de m\u00e9s al\u00e7ada per\u00f2 tot i aix\u00f2 encara m\u00e9s baixet que les persones a les que assisteix (sembla que aix\u00f2 sigui convenient), el director d’Investigaci\u00f3 comentava en to burleta que les dones estarien encantades perqu\u00e8 els alliberaria del treball dom\u00e8stic i els homes perqu\u00e8 els portaria la llauna de cervesa al sof\u00e0.<\/p>\n

\u00d2bviament, quan el robot Nao va ser requerit a fer una demostraci\u00f3 de les seves habilitats, s\u2019hi va negar rotundament, per m\u00e9s que el conferenciant li pos\u00e9s la m\u00e0 sobre del cap rob\u00f2tic perqu\u00e8 segu\u00eds les seves indicacions. El robot preferia ballar, no m\u2019estranya, i es va marcar un ball amb la can\u00e7\u00f3 de l’estiu “Nossa Nossa asi voce me mata”, que tenia carregada en els seus circuits. Avan\u00e7ada la jornada, que malgrat tot va acabar sent bastant interessant, vam poder veure un altre mini robot ballant, aquesta vegada “Sexy and I know it”. Atenci\u00f3 amigues core\u00f2grafes, que els robots ballarins poden ser tend\u00e8ncia. Tamb\u00e9 els gadgets que acompanyen, pauten, capturen i codifiquen els nostres moviments, tant a la nostra \u201cl\u00edving room\u201d (convertint-la per exemple en una sala de realitat virtual a trav\u00e9s d\u2019un producte de Play Station) com a l’espai esc\u00e8nic i de representaci\u00f3 de l’art. Perqu\u00e8 no oblidem que no pot faltar l\u2019artefacte que pugui comercialitzar-se.<\/p>\n

\"b)<\/p>\n

El cas \u00e9s que vam poder constatar que la pel\u00b7l\u00edcula “Eva” (2011) dirigida per Kike Ma\u00edllo, encara queda bastant lluny de la realitat actual, no nom\u00e9s pel que fa als aven\u00e7os de la t\u00e8cnica sin\u00f3 tamb\u00e9 en quant a la sensibilitat amb qu\u00e8 s’aborden els vincles afectius i relacionals de subordinaci\u00f3 entre humans i robots humanoides. Quelcom que ja apuntava la pr\u00f2pia “Blade Runner” (1982).<\/p>\n

I ni qu\u00e8 dir sobre l’enfocament i la comunicaci\u00f3 d\u2019\u201cun producte de consum massiu” que hauria de, en aquestes al\u00e7ada de “la pel\u00b7l\u00edcula” (2014), mostrar una sensibilitat almenys “b\u00e0sica” cap als postulats feministes; m\u00e9s si es presenta en un f\u00f2rum universitari.<\/p>\n

En un altre ordre de coses, i essent aquesta vegada els propis humans els que juguen a desobeir, podem veure l’exposici\u00f3 “Objectes desobedients” al Victoria & Albert Museum de Londres<\/a>, fins l’1 de febrer de 2015. Es tracta d\u2019una exposici\u00f3 en la qual es recullen objectes inventats i utilitzats per activistes de diversos moviments socials, en protestes, manifestacions i accions p\u00fabliques de car\u00e0cter reivindicatiu, pretenent ser una mostra representativa del panorama internacional des de l\u2019any 1970 fins l’actualitat.<\/p>\n

Aix\u00ed, hi trobem: cartells en forma de portades de llibre utilitzats pels estudiants italians l\u2019any 2011 per a protestar contres les retallades en educaci\u00f3; trossos de canonada per a cobrir els bra\u00e7os en estrat\u00e8gies de cossos encadenats; m\u00e0scares DIY de gasos lacrim\u00f2gens usades en les protestes del 2013 a Istanbul contra de la re-urbanitzaci\u00f3 del parc Gezi; arpilleres fetes per dones xilenes que documenten experi\u00e8ncies de viol\u00e8ncia i dificultats viscudes durant la dictadura de Pinochet; llambordes inflables usades a Berl\u00edn i Barcelona durant l\u20191 de maig de 2012 com a s\u00edmbol anti-autoritari que subverteix les t\u00edpiques representacions de protesta mostrades en els mitjans de comunicaci\u00f3…<\/p>\n

Actituds contestat\u00e0ries respecte els poders i les forces de control social que queden latents en els propis objectes, per senzills que aquests siguin, essent fins i tot aquesta factura senzilla, en la majoria dels casos, una declaraci\u00f3 d’intencions en si mateixa. La mostra compta amb informaci\u00f3 sint\u00e8tica dels conflictes que donen peu a cada objecte, i la quantitat d’informaci\u00f3 est\u00e0 perfectament empaquetada per a poder ser consumida en el temps que un ciutad\u00e0 mitj\u00e0 sol dedicar a una exposici\u00f3.<\/p>\n

Algunes cites buscades per a l’ocasi\u00f3 acompanyen tamb\u00e9 el dispositiu expositiu. Tot just entrar, trobem la frase de Nicholas Klein dirigida als treballadors del t\u00e8xtil d’Am\u00e8rica a Baltimore l\u2019any 1914: “Primer t’ignoren. Despr\u00e9s et ridiculitzen. Despr\u00e9s t\u2019ataquen i et volen cremar. I despr\u00e9s et construeixen un monument”. Per si a alg\u00fa se li pogu\u00e9s passar pel cap la pregunta de qu\u00e8 fa tot aquest material anti-sistema dins d\u2019un marc tan solemnement institu\u00eft i legitimat com el Victoria & Albert Museum (no cal ser molt suspica\u00e7 per caure-hi), la pr\u00f2pia organitzaci\u00f3 t’avisa que \u00e9s conscient de la disson\u00e0ncia cognitiva que podria generar-te, neutralitzant aix\u00ed en certa manera la cr\u00edtica que se li podria fer en aquest sentit.<\/p>\n

I \u00e9s que la desobedi\u00e8ncia no sembla ser una tasca f\u00e0cil, perqu\u00e8 a la que et descuides, el que semblava un acte radical (un robot posant-se a ballar quan \u00e9s requerit a fer una altra cosa), es pot convertir en la monada que fa un nen per deixar orgullosos els seus pares davant les seves amistats.<\/p>\n

Robots quasi-humans que desobeeixen de manera de no premeditada. Quasi-objectes amb actitud desobedient dissenyats per humans. Humans que resisteixen de manera conscient i que de vegades fan concessions. Museus que virtualment se sumen a posicions radicals. Sistemes educatius obedients a les directrius del mercat… Una interessant ambientaci\u00f3 per aquesta “sala d’estar” com\u00fa que ens hem donat i en la qual interactuem cadasc\u00fa des de la seva diversitat funcional.<\/p>\n","protected":false},"excerpt":{"rendered":"

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