{"id":9168,"date":"2015-03-31T02:40:00","date_gmt":"2015-03-31T02:40:00","guid":{"rendered":"http:\/\/a-desk.org\/2015\/03\/31\/marc-el-mes-sonor\/"},"modified":"2023-07-10T12:32:10","modified_gmt":"2023-07-10T10:32:10","slug":"marc-el-mes-sonor","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/marc-el-mes-sonor\/","title":{"rendered":"Mar\u00e7. El mes sonor"},"content":{"rendered":"

Mar\u00e7 ha estat un mes molt sonor. Destaquem com a soroll m\u00e9s impertinent, el de la inger\u00e8ncia. Prov\u00e9 l’estr\u00e8pit d’unes estructures dependents que sonen a censura en un museu p\u00fablic. S’origina l’estrid\u00e8ncia en uns despatxos en qu\u00e8 es prenen decisions sense tenir en compte el desenvolupament d’un projecte amb argument, per al qual s\u00f3n necessaris codis basats en la transpar\u00e8ncia o la llibertat. Encara estem at\u00f2nites pels desprop\u00f2sits succe\u00efts entre les esferes (pel que es veu, estanques) del MACBA. I des de l’altre extrem del paradigma burocr\u00e0tic, el comunicat de Zemos98<\/a> pel qual es fa p\u00fablica la not\u00edcia que aquest any ser\u00e0 l’\u00faltim, ens deixa tristos. I en silenci. La sensaci\u00f3 d’estar a l’embat d’una pol\u00edtica cultural -estatal o auton\u00f2mica, p\u00fablica o privada, institucional o independentment- que va a batzegades \u00e9s, de nou, ensordidora.
\nI malgrat aix\u00f2, amb cinc articles programats per i des del debat -o constataci\u00f3- de l’estret vincle entre so i art visual, entre m\u00fasica i imatge, que han abordat la tem\u00e0tica des de diferents angles i formats; i dos textos “extra”, mar\u00e7 ha estat un mes intens.<\/p>\n

Gl\u00f2ria Gus\u00f3 inaugurava el mes amb una entrevista a Richard M\u00e8meteau<\/a>, en la que van disc\u00f3rrer sobre les relacions entre m\u00fasica (pop) i art contemporani, sobre estrat\u00e8gies d’influ\u00e8ncia, relacions, vincles o depend\u00e8ncies, entre molt m\u00e9s. Sonia Fern\u00e1ndez Pan obria la segona setmana amb un text<\/a> en el qual ens convidava a preguntar-nos sobre la viabilitat de fer-se preguntes des d’uns codis essencialment diferents, sobre la necessitat (o pertin\u00e8ncia) d’\u00e0mbits; en definitiva, sobre “com escoltar des del discurs sense subordinar el so a aquest mateix discurs”. Els seguia una cr\u00edtica de Daniela Hermosilla<\/a>, des de Berl\u00edn, en la qu\u00e8 apel\u00b7lava a la capacitat radial com a discurs en si mateix, teixint un article que informava, d’una banda, sobre l’art radiof\u00f2nic i els seus or\u00edgens i la seva evoluci\u00f3, i explicava, de l’altra, el projecte Zonoff, ubicat a la capital alemanya, i les seves pr\u00e0ctiques art\u00edstiques i maneres de fer, quasi declaracions pol\u00edtiques en si mateixes. \u00c1ngel Calvo Ulloa realitzava una cr\u00edtica de l’exposici\u00f3 “Punk. Els seus rastres en l’art contemporani”<\/a>, comissariada per David G. Torres al CA2M, plena de fidelitat, i d’actitud<\/em>. A m\u00e9s, vam demanar a David Armengol que realitz\u00e9s per a nosaltres un tour per la seva intimitat discogr\u00e0fica, i ens va regalar una passejada entre folk i art contemporani<\/a> amb molt de ritme. I com a “bonus tracks”, Cecilia Martin signa per una banda un text sobre el silenci<\/a>, o sobre aquells sons que ning\u00fa escolta, per\u00f2 que hi s\u00f3n, des del festival Sonic Acts, Holanda; i Andrea Diaz Mattei escriu sobre Robert Cahen<\/a> i sobre els seus paisatges i sorolls mundans.<\/p>\n

Entrevista de Gl\u00f2ria Guso a Richard M\u00e8meteau: Jay-Z guanya a Marina Abramovic<\/em><\/a><\/p>\n

Com escoltar des del discurs?<\/em>, per Sonia Fern\u00e1ndez Pan<\/a><\/p>\n

Pot contenir traces de\u2026 Angel Calvo Ulloa sobre “Punk: sus rastros en el arte contempor\u00e1neo”<\/a><\/p>\n

Tornada al discurs sonor: la capacitat radial<\/em>, per Daniela Hermosilla<\/a><\/p>\n

Bard Attitude: M\u00fasica folk i art contemporani, per David Armengol<\/a><\/p>\n

El so que ning\u00fa escolta<\/em>, per Cecilia Martin<\/a><\/p>\n

De paisatges i sorolls mundans. A prop\u00f2sit de Robert Cahen<\/em>, per Andrea D\u00edaz Mattei<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Mar\u00e7 ha estat un mes molt sonor. Destaquem com a soroll m\u00e9s impertinent, el de la inger\u00e8ncia. Prov\u00e9 l’estr\u00e8pit d’unes estructures dependents que sonen a censura en un museu p\u00fablic….<\/p>\n","protected":false},"author":1241,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782,5153],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nMar\u00e7. 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