{"id":9181,"date":"2015-06-30T16:37:00","date_gmt":"2015-06-30T16:37:00","guid":{"rendered":"http:\/\/a-desk.org\/2015\/06\/30\/la-biennale-en-capes\/"},"modified":"2023-07-10T12:32:07","modified_gmt":"2023-07-10T10:32:07","slug":"la-biennale-en-capes","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/la-biennale-en-capes\/","title":{"rendered":"La Biennale en capes"},"content":{"rendered":"

\"la-biennale-di-venezia-1.jpg\"
\nHem dedicat el mes de juny a una de les biennals m\u00e9s reconegudes a nivell mundial, no nom\u00e9s pel seu abast medi\u00e0tic, sin\u00f3 tamb\u00e9 per un contingut que sempre reuneix l’art contemporani “global”. A A*DESK, vam voler comen\u00e7ar amb una extensa<\/a> i necess\u00e0ria entrevista a Mart\u00ed Manen<\/a>, comissari del Pavell\u00f3 d’Espanya a la Biennal de Ven\u00e8cia 2015 a c\u00e0rrec de Manuel Segade, tamb\u00e9 comissari i cr\u00edtic. La conversa va treure a la llum interessants detalls del projecte curatorial, d’aquest Dal\u00ed com a subjecte complex, dels artistes seleccionats i del per qu\u00e8 d’aquesta selecci\u00f3, per\u00f2 tamb\u00e9 es van tractar les din\u00e0miques i funcionament d’una Biennal, des de dins, des de l’experi\u00e8ncia.<\/p>\n

Juan Canela realitzava amb “Tots els futurs del m\u00f3n, o la dificultat d’albirar qualsevol cosa<\/a>” una dissecci\u00f3, expressament transversal, del contingut de la Biennal. Li vam demanar aix\u00f2 que sovint costa tant fer o que es troba a faltar quan no es t\u00e9 prou temps de rep\u00f2s: una visi\u00f3 global, i ens va oferir una cr\u00edtica amb fons per\u00f2 amb assumides limitacions d’abast, sobretot en tenir en compte el recorregut temporal que encara est\u00e0 per fer.<\/p>\n

Tambi\u00e9n desde la experiencia propia, y contrastando abiertamente con un cierto tipo de cr\u00edtica publicada en los primeros d\u00edas de la Bienal, desde un lenguaje que huye de grandilocuencias y con un toque de ficci\u00f3n-historia, Irina Mutt nos paseaba por una Biennale, su Biennale, en la que no encontramos tanta estructura si no \u00e1ngulos muertos, espacios sin definir, y por ende, mucho m\u00e1s libres e independientes, como el alien que us\u00f3 para guiarnos en su texto<\/a>.
\nTamb\u00e9 des de l’experi\u00e8ncia pr\u00f2pia, i contrastant obertament amb un cert tipus de cr\u00edtica publicada en els primers dies de la Biennal, des d’un llenguatge que fuig de grandiloq\u00fc\u00e8ncies i amb un toc de ficci\u00f3-hist\u00f2ria, Irina Mutt ens passejava per una Biennale, la seva Biennale, en la qual no trob\u00e0vem tanta estructura si no angles morts, espais sense definir, i per tant, molt m\u00e9s lliures i independents, com l’\u00e0lien que va usar per guiar-nos en el seu text<\/a>.<\/p>\n

Per la seva banda, Montse Badia signa la “Biennal de Ven\u00e8cia en 12 apunts<\/a>“, una interessant guia, quasi tem\u00e0tica, per moure\u2019s conceptualment per la Biennale. Sense intenci\u00f3 (professa) de ser exhaustiva, Badia porta a terme una dissecci\u00f3 feta amb un ull cr\u00edtic infal\u00b7lible. En el text, es posen de relleu els grans elements i q\u00fcestions que, intencionadament o no, podrien destacar-se d’aquesta 56a edici\u00f3.<\/p>\n

Acabem aquest mes de cinc dilluns amb un “extra”<\/a> que repr\u00e8n el t\u00edtol triat per part del comissari Okwui Enwezor “tots els futurs del m\u00f3n” i posa en relleu dos esdeveniments viscuts a la Biennale, per donar compte amb un parell de detalls que potser aquest futur en plural no sigui tan m\u00faltiple i que, vist com es repeteixen les relacions de dominaci\u00f3 entre uns i altres al llarg del temps, potser el que haurem d\u2019assumir \u00e9s que aquest futur ha de ser un, i com\u00fa, o no ser\u00e0.<\/p>\n

Entrevista de Manuel Segade a Mart\u00ed Manen (part 1<\/a>) i (part 2<\/a>)<\/p>\n

Tots els futurs del m\u00f3n, o la dificultat d’albirar qualsevol cosa<\/a>, per Juan Canela<\/p>\n

\u00c0liens i Biennals<\/a>, a c\u00e0rrec d’Irina Mutt<\/p>\n

La Biennal de Ven\u00e8cia en 12 apunts<\/a>, per Montse Badia<\/p>\n

Tots els futurs no s\u00f3n m\u00e9s que un<\/a>, redacci\u00f3 A*DESK<\/p>\n","protected":false},"excerpt":{"rendered":"

Hem dedicat el mes de juny a una de les biennals m\u00e9s reconegudes a nivell mundial, no nom\u00e9s pel seu abast medi\u00e0tic, sin\u00f3 tamb\u00e9 per un contingut que sempre reuneix…<\/p>\n","protected":false},"author":1241,"featured_media":9178,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782,5147],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nLa Biennale en capes – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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