{"id":9292,"date":"2015-11-15T01:42:00","date_gmt":"2015-11-15T01:42:00","guid":{"rendered":"http:\/\/a-desk.org\/2015\/11\/15\/i-mullar-se-en-ella\/"},"modified":"2023-07-10T12:32:04","modified_gmt":"2023-07-10T10:32:04","slug":"i-mullar-se-en-ella","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/i-mullar-se-en-ella\/","title":{"rendered":"I mullar-se en ella"},"content":{"rendered":"

\"acca.jpg\"<\/p>\n

\u00c9s el primer simposi internacional de cr\u00edtica d’art de l’ACCA al qu\u00e8 assisteixo, i mira que ja en s\u00f3n vdeu. Tamb\u00e9 \u00e9s el primer que inclou entre els seus ponents a un artista que sua el discurs, perqu\u00e8 el seu discurs cr\u00edtic emana del moviment, de la cr\u00edtica “encuerpada”, com diu (i balla) ell, Aimar P\u00e9rez Gal\u00ed-; i a un altre artista (Mark Lewis) al qual sembla que li sua el discurs, encara que no m’ho crec, entre altres coses perqu\u00e8 l’any 1998 va crear juntament amb Charles Esche la revista Afterall, amb base a Londres, i perqu\u00e8 encara que ja no escrigui (o aix\u00f2 diu), s\u00ed filma, i de quina manera, una realitat que observa a vol de colibr\u00ed. No pot ser que no tingui visi\u00f3 privilegiada a l’hora d’observar-la.<\/p>\n

El simposi partia d’una pregunta, si se\u2019m permet, una mica recurrent: on es troba la cr\u00edtica d’art avui?, per donar pas a l’an\u00e0lisi coral dels llocs i maneres de la disseminaci\u00f3 cr\u00edtica. I tot i que s\u00ed hi ha hagut \u00bfnecess\u00e0ries? obvietats; coses que ja esper\u00e0vem; coses que ja enten\u00edem, coses que ja sent\u00edem, la sensaci\u00f3 final \u00e9s satisfact\u00f2ria, sincerament. Perqu\u00e8 en la l\u00ednia del que va dir Joana Hurtado a la seva intervenci\u00f3 de l’\u00faltima taula rodona, una cosa aix\u00ed com un “jo s\u00ed que crec en aix\u00f2”, tamb\u00e9 hi va haver una mica de \u201cvinga va\u201d, i al final, molt de \u201csom-hi\u201d, encara que sigui de manera diferent.<\/p>\n

Peio Aguirre es va referir als perills del vincle actual entre cr\u00edtica-mercat-publicitat, cada vegada m\u00e9s intensos, si considerem i respectem una de les m\u00e9s prim\u00e0ries funcions de la cr\u00edtica, la de la contribuci\u00f3 a la conformaci\u00f3 d’una esfera p\u00fablica. Nuria Enguita va ampliar i va aportar una mica llum i pot\u00e8ncia, eixamplant amb la seva experi\u00e8ncia els espais possibles d’emissi\u00f3 a trav\u00e9s de l’edici\u00f3 (Revista Concreta), el comissariat o la programaci\u00f3.<\/p>\n

Irit Rogoff, que tamb\u00e9 vam entrevistar aqu\u00ed<\/a> aquesta setmana, va compartir alguns elements de la seva investigaci\u00f3 m\u00e9s recent, la qual observa la “infrastructura” o estructura oculta que governa institucions, finances, corporacions, etc. a l’actualitat, i que mitjan\u00e7ant l’aparen\u00e7a de neutralitat, est\u00e0 copant els espais de llibertat de l’individu i la cognici\u00f3 cr\u00edtics. El que busca el seu an\u00e0lisi \u00e9s precisament el apuntar la necessitat de trobar les possibles esquerdes per a la cr\u00edtica en un marc regulat pel mercat i l\u2019”efici\u00e8ncia”.<\/p>\n

Per a Stephen Wright \u00e9s la necessitat d’adaptaci\u00f3 i concreci\u00f3 terminol\u00f2gica (tamb\u00e9 al seu taller “Un gir l\u00e8xic: repensant els termes de la cr\u00edtica”) el que cal observar en el proc\u00e9s de ‘desontologitzaci\u00f3’ constant de l’art. Com en una proposta de canvi de tipus de relaci\u00f3, suggereix el terme “usership” (alguna cosa aix\u00ed com “usuaritat”), que proposa tant en el tipus d\u2019”usuari” (abans espectador), com en el tipus d’an\u00e0lisi cr\u00edtica, o en la producci\u00f3 art\u00edstica.<\/p>\n

Thijs Lijster, com ja indicaria a la entrevista<\/a> duta a terme per Anna Dot, va incidir en l\u2019element espacial de la cr\u00edtica, no des d’un punt de vista d’atomitzaci\u00f3 d’aquesta, si no des de la necessitat d’una re-localitzaci\u00f3 i assentament que inclogui tamb\u00e9 la re-historicitzaci\u00f3 de la seva pr\u00e0ctica, la seva tornada a la necessitat contextual en termes d’espai-temps; encara que aquesta volta no sigui per anar al mateix lloc d’on ven\u00edem.<\/p>\n

David G. Torres es va encarregar, amb una ir\u00f2nica al\u00b7legoria a Greenberg -al qual posaria, literalment, del rev\u00e9s des del principi- d’una necess\u00e0ria posada en tensi\u00f3, imprescindible en la gaireb\u00e9 absolutament lineal seq\u00fc\u00e8ncia d’intervencions (tret de l’Aimar): el cr\u00edtic \u00e9s marginal, i ho ha de ser; \u00e9s vamp\u00edric, \u00e9s vicari, i “tolit”. Per\u00f2 \u00e9s, tamb\u00e9, part del proc\u00e9s d’aven\u00e7 creatiu. \u00c9s subjecte i part; \u00e9s ego, inter\u00e8s i agenciament.<\/p>\n

I entre totes aquestes propostes conceptuals, o “conceptol\u00f2giques”, hi ha una cosa que em preocupa sempre quan penso (em penso) en el context art\u00edstic, en la cr\u00edtica, en l’edici\u00f3, curadoria, muntatge o el que sigui que ens ocupa en transversal. Aix\u00f2 \u00e9s el distanciament de la realitat. El perill d’estar veient -i vivint- el m\u00f3n des d’un lloc en el qual la capacitat d’abstracci\u00f3 \u00e9s privilegi; un lloc en el que, si b\u00e9 la dificultat de pagar les factures sigui igual o m\u00e9s gran, els empla\u00e7aments de producci\u00f3 particulars, robant les paraules d\u2019Enguita, siguin al cap i a la fi, alleujament.<\/p>\n

\u00c9s indiscutible que ens trobem estretament dependents del mercat, de l’opini\u00f3 i de les institucions (David G.Torres), per\u00f2 aix\u00f2 no \u00e9s nom\u00e9s cert en el m\u00f3n de la cr\u00edtica. Nosaltres, afortunats, podem situar-nos o “posicionar-nos” en aquest lloc del “usership” (Wright) on la interacci\u00f3 ens ajuda a rebre i desestabilitzar (aix\u00f2 que ens reconforta tant a alguns).<\/p>\n

A tal efecte, el posicionament \u00e9s clau; perqu\u00e8 si b\u00e9 \u00e9s necessari no ser te\u00f2ric per elaborar un discurs des de la pr\u00e0ctica (P\u00e9rez Gal\u00ed), tamb\u00e9 \u00e9s cert que la producci\u00f3 de coneixement \u00e9s l’espai de qu\u00e8 disposem per incidir en el m\u00f3n (Rogoff).<\/p>\n

M\u00e9s enll\u00e0 del sentit cl\u00e0ssic de la cr\u00edtica, en el qual s’emetien judicis no implicats, la criticalitat actual cont\u00e9 un poder de transformaci\u00f3 en si. No es tracta nom\u00e9s de jutjar, penso que el repte \u00e9s eixamplar les ja de per si toves fronteres de la producci\u00f3 actual, portar la cr\u00edtica de la realitat al camp de la realitat, assumir d’una vegada d’una forma hol\u00edstica la contemporane\u00eftat. I mullar-se en ella.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c9s el primer simposi internacional de cr\u00edtica d’art de l’ACCA al qu\u00e8 assisteixo, i mira que ja en s\u00f3n vdeu. Tamb\u00e9 \u00e9s el primer que inclou entre els seus ponents…<\/p>\n","protected":false},"author":1269,"featured_media":9284,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[3486],"tags":[5555],"coauthors":[],"acf":[],"yoast_head":"\nI mullar-se en ella – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/i-mullar-se-en-ella\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I mullar-se en ella – A*Desk\" \/>\n<meta property=\"og:description\" content=\"\u00c9s el primer simposi internacional de cr\u00edtica d’art de l’ACCA al qu\u00e8 assisteixo, i mira que ja en s\u00f3n vdeu. 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