{"id":9459,"date":"2016-06-30T09:21:14","date_gmt":"2016-06-30T09:21:14","guid":{"rendered":"http:\/\/a-desk.org\/2016\/06\/30\/globalidad-y-sujeto3331\/"},"modified":"2023-07-10T12:31:01","modified_gmt":"2023-07-10T10:31:01","slug":"globalitat-i-subjecte","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/globalitat-i-subjecte\/","title":{"rendered":"Globalitat i subjecte"},"content":{"rendered":"

Des d’A*DESK sempre hem defensat una posici\u00f3 cr\u00edtica, no nom\u00e9s en relaci\u00f3 a l’art, sin\u00f3 al m\u00f3n. Aquesta setmana hem una editorial (mensual) que dediquem al subjecte global des de la pat\u00e8tica posici\u00f3 de l’enuig. Un enuig que ens va portar a no dormir la nit de diumenge, ni la de dilluns (…) encara estupefactes pel Brexit angl\u00e8s (primer triomf de l’absurd en aquest final de juny hist\u00f2ric), per\u00f2 totalment absortes pels resultats de les eleccions generals espanyoles.<\/p>\n

Vol\u00edem dedicar aquest mes a parlar del subjecte global. Comptem a tal efecte amb una excel\u00b7lent revisi\u00f3 cr\u00edtica del que implica la mobilitat dels subjectes avui en dia, de les llibertats desiguals segons lloc de naixement, dels l\u00edmits personals i del que aquests signifiquen. Anna Dot partia del projecte “The Artist and The Stone”<\/a>, de Matteo Guidi i Giulianna Racco per signar el brillant “de la possibilitat d’apar\u00e8ixer all\u00e0 on no se t’espera”.<\/p>\n

Paloma Checa-Gismero<\/a>, per la seva banda, escrivia una ressenya sobre el llibre “Cultural Antropophagy …” de Lisette Lagnado (ed.) i altres autors (London: Afterall, Exhibition Histories, 2016), que analitza la Biennal de Sao Paulo 1998, comissariada pel curador Paulo Herkenhoff, qui va rescatar el concepte d’antropof\u00e0gia<\/em> del poeta Osvaldo d’Andrade i el va convertir en “eix articulador de la seva reescriptura de les relacions entre col\u00f2nia i metr\u00f2poli”; biennal considerada per molts una fita en el discurs postcolonial.<\/p>\n

Rosa Naharro<\/a> posava l’accent de l’an\u00e0lisi sobre la resposta institucional (art\u00edstico-cultural) a un subjecte (suposadament pensant) de car\u00e0cter global. Revisant pr\u00e0ctiques, projectes i programes, per\u00f2 tamb\u00e9 apuntant una clara opini\u00f3 cr\u00edtica pel que fa a la dosi d’hipocresia que aquestes programacions podien contenir.<\/p>\n

Tanc\u00e0vem el mes amb Paulina Zamora de Otero<\/a> i un text molt personal que precisament va de, -\u00a1bingo! – subjectes mediocres que es creuen (a ells o la seva opini\u00f3) rellevants i transcendents en qualsevol judici de valor. Paulina situava la seva reflexi\u00f3 molt centrada en el seu context guatemalenc m\u00e9s proper, per\u00f2 aquest \u00e9s de sobres un problema global: subjectes gaireb\u00e9 sense noci\u00f3 de comunitat, insolidaris, de mires massa curtes.<\/p>\n

Hem dedicat aquest mes a apropar-nos al que significa, o hauria de, ser o pensar-se com a subjecte global<\/em>. I ens resulta especialment rellevant en una Uni\u00f3 Europea sense Regne Unit, en una Espanya on la mediocritat va v\u00e9ncer, i ven\u00e7, llan\u00e7ada a quatre anys m\u00e9s de representants casposos i rid\u00edculs, mentre als Estats Units hi ha la possibilitat que un energumen guanyi les presidencials.<\/p>\n

Per l’estult\u00edcia generalitzada i la responsabilitat pol\u00edtica a curt termini i ignorant en la qual semblem sumits, i perqu\u00e8 seguim creient en el marge i maniobra de cada subjecte, A d’A*DESK \u00e9s avui A de acr\u00e0cia. I d’aspror, perqu\u00e8 no rebaixarem ni una mica el to cr\u00edtic amb el que puguem publicar, des de la cultura o m\u00e9s enll\u00e0.<\/p>\n","protected":false},"excerpt":{"rendered":"

Des d’A*DESK sempre hem defensat una posici\u00f3 cr\u00edtica, no nom\u00e9s en relaci\u00f3 a l’art, sin\u00f3 al m\u00f3n. Aquesta setmana hem una editorial (mensual) que dediquem al subjecte global des de…<\/p>\n","protected":false},"author":1241,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[3667],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nGlobalitat i subjecte – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/globalitat-i-subjecte\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Globalitat i subjecte – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Des d’A*DESK sempre hem defensat una posici\u00f3 cr\u00edtica, no nom\u00e9s en relaci\u00f3 a l’art, sin\u00f3 al m\u00f3n. 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