{"id":9545,"date":"2016-09-30T21:06:00","date_gmt":"2016-09-30T19:06:00","guid":{"rendered":"http:\/\/a-desk.org\/2016\/09\/30\/treball\/"},"modified":"2023-07-10T12:26:58","modified_gmt":"2023-07-10T10:26:58","slug":"treball","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/treball\/","title":{"rendered":"Treball"},"content":{"rendered":"

Sigui per exc\u00e9s o per defecte, tots podr\u00edem recon\u00e8ixer que aquest “treball” \/ recerca \/ curiositat \/ col\u00b7laboraci\u00f3 \/ majorit\u00e0riament mal pagada i que hem arribat a somiar o pensar fins i tot al llit, ocupa un gran percentatge del nostre temps, i aix\u00f2 \u00e9s tant si el considerem creatiu, com productiu, apassionant, purament alimentari o senzillament odi\u00f3s.<\/p>\n

Per aix\u00f2 i pel fet que dos dels principals esdeveniments art\u00edstics internacionals d’aquest any abordaven aquests temes -d’una manera m\u00e9s o menys directa- ens semblava un tema necessari de pensar. A m\u00e9s, marca la tradici\u00f3 d’aquest pa\u00eds que la tornada a la rutina \u00e9s al setembre, despr\u00e9s d’una for\u00e7ada parada vacacional, moment en qu\u00e8 arriba la “re”incorporaci\u00f3 i com cada any, apareixen els articles sobre la depressi\u00f3 post-vacacional, la readaptaci\u00f3 a la feina i el seu efecte sobre el rendiment. Bla bla bla.<\/p>\n

Comencem amb una reflexi\u00f3 des d’un punt de vista ampli, Marx convidat, un text (“Reclusos contemporanis”<\/a> en el qual Montse Badia, a manera de deriva, es va aturant en artistes i pensadors que han anat reflexionant sobre el tema, com Harun Farocki, Beatriz Colomina, Ciprian Homorodean o Mladen Stilinovic, entre altres.<\/p>\n

“What people do for money? Va ser el suggeridor t\u00edtol que va estructurar Manifesta 11, comissariada per l’artista Christian Jankowski, a qui Uta Reindl entrevistava per A*DESK<\/a> per parlar dels perqu\u00e8s, dels punts febles i les virtuts d’aquesta edici\u00f3.<\/p>\n

I sense deixar el format entrevista, Mar\u00eda Mu\u00f1oz i Pilar Bonet van xerrar amb Marc Roso<\/a>, membre del col\u00b7lectiu DIS, sobre la present edici\u00f3 de la Biennal de Berl\u00edn, titulada “The present in Drag”, una constructiva conversa que es va complementar amb un intens i emocionant passeig per la biennal en forma de text a c\u00e0rrec d’un l\u00facid Mart\u00ed Manen<\/a>.<\/p>\n

Per la seva banda, Marina Vives<\/a> tancava un tema que t\u00e9 tant d’anal\u00edtic com d’prospectiu amb una cr\u00edtica sobre Andrea Fraser al MACBA, o millor, sobre l’exposici\u00f3 retrospectiva que la instituci\u00f3 li ha dedicat a l’artista de la cr\u00edtica institucional (i que encara es podr\u00e0 veure uns dies a l’octubre), passant per la reflexi\u00f3 sobre el m\u00f3n del treball de Raquel Friera i sobre la manera en la qual, d’alguna manera, estem amb tot aix\u00f2.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sigui per exc\u00e9s o per defecte, tots podr\u00edem recon\u00e8ixer que aquest “treball” \/ recerca \/ curiositat \/ col\u00b7laboraci\u00f3 \/ majorit\u00e0riament mal pagada i que hem arribat a somiar o pensar…<\/p>\n","protected":false},"author":1241,"featured_media":15876,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[5139],"tags":[],"coauthors":[6369],"acf":[],"yoast_head":"\nTreball – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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