{"id":9655,"date":"2016-12-31T17:12:00","date_gmt":"2016-12-31T17:12:00","guid":{"rendered":"http:\/\/a-desk.org\/2016\/12\/31\/investigacio-artistica\/"},"modified":"2017-09-20T00:19:54","modified_gmt":"2017-09-20T00:19:54","slug":"investigacio-artistica","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/investigacio-artistica\/","title":{"rendered":"Investigaci\u00f3 art\u00edstica"},"content":{"rendered":"

\"Research<\/p>\n

Pr\u00e0ctiques deslocalitzades, reflexions pol\u00edtiques i contextos i estructures socials; Internet, el g\u00e8nere o la seva abs\u00e8ncia, el discurs i la seva criticitat, el moviment, la performance, la dansa, el joc, el ball. La teoria, l’arxiu, el discurs i el meta- (…).<\/p>\n

Els espais i temps de la investigaci\u00f3 art\u00edstica s\u00f3n un tema que ens ocupa des que l’art \u00e9s art i hi ha alg\u00fa reflexionant-hi. L’evoluci\u00f3 de la praxi, dels continguts, dels suports o els objectius, dels sistemes de producci\u00f3 o de les seves estructures de distribuci\u00f3 s\u00f3n quelcom que no descobrim ni aqu\u00ed ni ara.
\nEn aquest n\u00famero, busc\u00e0vem una foto fixa de l’estat actual de la q\u00fcesti\u00f3 m\u00e9s que una aproximaci\u00f3 que englob\u00e9s i emmarqu\u00e9s la totalitat de l’objecte, sabem que aix\u00f2 \u00e9s rarament possible.<\/p>\n

Inici\u00e0vem el mes amb Nerea Arrojer\u00eda i una mena de classificaci\u00f3 “Searching Mode”<\/a> o maneres d’intentar ordenar l\u2019inorganitzable, a “Searching for sugar title”.<\/p>\n

La seguia un brillant\u00edssim Xavier Acar\u00edn amb la seva apologia de la intu\u00efci\u00f3 i la inexactitud com a m\u00e8tode i fi<\/a>, en un text titulat “Inexacta intu\u00efci\u00f3” i que anava m\u00e9s enll\u00e0 d’autors de refer\u00e8ncia en la investigaci\u00f3 art\u00edstica (Hito Steyerl, Uta Meta Bauer, Aby Warburg), amb relacions impredictibles, resultats sense raonaments expl\u00edcits, Duchamp, o post-democr\u00e0cia, passant per Paul Lafargue, Donna Haraway o Adam Curtis.<\/p>\n

Irina Mutt signava “Buscant problemes”<\/a>, en el qual, partint de la necessitat de problematitzaci\u00f3 de la pr\u00e0ctica actual – en investigaci\u00f3 art\u00edstica, per\u00f2 tamb\u00e9, m\u00e9s en primera persona, curatorial-, repassava autores com Virginie Despentes, Maggie Nelson o Karen Barad.<\/p>\n

I tanc\u00e0vem l’any amb una col\u00b7laboraci\u00f3 amb la Fundaci\u00f3 Yaxs, en qu\u00e8 la comiss\u00e0ria i cr\u00edtica Manuela Moscoso<\/a>, va tutoritzar un seminari sobre m\u00e8todes d’investigaci\u00f3 en les pr\u00e0ctiques art\u00edstiques, i els processos i resultats es publicaven aqu\u00ed per acabar l’any: Spanky<\/a> ens introdu\u00efa en l’atzar com a detonant i la c\u00e0mera com a eina d’investigaci\u00f3 per a bussejar a l’arxiu del poeta Arqueles Morales Chac\u00f3n; Delfina Esperanza de Le\u00f3n<\/a> ens convidava a realitzar connexions intemporals i una s\u00e8rie d’invocacions per encarar el desastre; Mario Alberto L\u00f3pez<\/a> realitzava una investigaci\u00f3 i un experiment a partir d’una fotografia; Nora P\u00e9rez i Jorge de Le\u00f3n<\/a> exploraven l’\u00fas del color en els mitjans de comunicaci\u00f3 a Guatemala aix\u00ed com la inclinaci\u00f3 al sensacionalisme i, per acabar mes i any, Manuel Chavajay<\/a> ens proposava un joc\/poema per reivindicar els espais que ens s\u00f3n segrestats.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pr\u00e0ctiques deslocalitzades, reflexions pol\u00edtiques i contextos i estructures socials; Internet, el g\u00e8nere o la seva abs\u00e8ncia, el discurs i la seva criticitat, el moviment, la performance, la dansa, el joc,…<\/p>\n","protected":false},"author":1241,"featured_media":9654,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[3754],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nInvestigaci\u00f3 art\u00edstica – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/investigacio-artistica\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Investigaci\u00f3 art\u00edstica – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Pr\u00e0ctiques deslocalitzades, reflexions pol\u00edtiques i contextos i estructures socials; Internet, el g\u00e8nere o la seva abs\u00e8ncia, el discurs i la seva criticitat, el moviment, la performance, la dansa, el joc,...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/investigacio-artistica\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2016-12-31T17:12:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-09-20T00:19:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2016\/12\/21198_aug30_mahku_img2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"446\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"A*DESK\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"A*DESK\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuts\" \/>\n\t<meta name=\"twitter:label3\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data3\" content=\"A*DESK\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/investigacio-artistica\/\",\"url\":\"https:\/\/a-desk.org\/ca\/magazine\/investigacio-artistica\/\",\"name\":\"Investigaci\u00f3 art\u00edstica – A*Desk\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/investigacio-artistica\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/investigacio-artistica\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2016\/12\/21198_aug30_mahku_img2.jpg\",\"datePublished\":\"2016-12-31T17:12:00+00:00\",\"dateModified\":\"2017-09-20T00:19:54+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/e32f2cc33a81d4e3e29207cb91b1c058\"},\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/investigacio-artistica\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/ca\/magazine\/investigacio-artistica\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/investigacio-artistica\/#primaryimage\",\"url\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2016\/12\/21198_aug30_mahku_img2.jpg\",\"contentUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2016\/12\/21198_aug30_mahku_img2.jpg\",\"width\":670,\"height\":446,\"caption\":\"Research material Urk, Van Brummelen & De Haan, 2012. 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