{"id":9687,"date":"2017-01-31T03:52:00","date_gmt":"2017-01-31T03:52:00","guid":{"rendered":"http:\/\/a-desk.org\/2017\/01\/31\/fenomens-estranys\/"},"modified":"2023-07-10T12:29:43","modified_gmt":"2023-07-10T10:29:43","slug":"fenomens-estranys","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/fenomens-estranys\/","title":{"rendered":"Fen\u00f2mens estranys"},"content":{"rendered":"

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Ha passat un mes d’aquell text introductori<\/a> en qu\u00e8 parl\u00e0vem, mig seriosament, de la monstruositat de l’\u00e8poca actual. Ens semblava interessant tractar aquesta contemporane\u00eftat, de la qual tan directament bevem, des d’un punt de vista cr\u00edtic, des de l’expressi\u00f3 actual de l’art, per\u00f2 des d’un posicionament clar, o no tant. Atansar-nos al all\u00f2 que considerem diferent sense el respecte habitual. Al monstre, a l\u2019anormal.<\/p>\n

Per a aix\u00f2 necessit\u00e0vem descarregar el pes de la pol\u00edtica i surar cap a la fantasia, perqu\u00e8, com a molts, ens repugna el temps terrible que assetja el nostre segle. Per contra, i encara que soni -o es llegeixi- estrany, al mateix temps, ens resulta curi\u00f3s que el que ens atrau del que intr\u00ednsecament rebutgem sigui precisament aix\u00f2, la c\u00e0rrega de “desconegut” que porta amb si el portador de la difer\u00e8ncia. Aquesta difer\u00e8ncia, o aquesta dist\u00e0ncia, s’ha tractat en aquest mes que tan bons textos ens ha portat, des d’un punt de vista quasi fan\u00e0tic, des de l’amor del freak, des de la m\u00edstica i l’afecte pel llenguatge alternatiu del que considerem “fen\u00f2mens estranys”, monstres, bestioles rares.<\/p>\n

Juanjo Santos entrevistava Lars Bang Larsen<\/a>, co-comissari de la biennal de Sao Paulo 2016, autor del c\u00e8lebre assaig “Zombies of Immaterial Labor: the Modern Monster and the Death of Death” i entre moltes altres, a punt de publicar “Art i norma. La societat sense atributs i altres textos”, una col\u00b7lecci\u00f3 d’assajos amb perspectiva sociol\u00f2gica sobre les tensions de l’art contemporani i l’economia actual; una entrevista en la qual es va tractar la psicod\u00e8lia com a element generador de veritats diverses, el potencial d\u2019all\u00f2 zombie<\/em> com a concepte i s\u00edmbol…<\/p>\n

Ana Llurba<\/a> disseccionava abans que ells, l’exposici\u00f3 titulada Aura Nera<\/em>, de Regina de Miguel a l\u2019Arts Santa M\u00f2nica. Una exposici\u00f3 plena de mites, ci\u00e8ncia altra<\/em>, genealogies fosques i en definitiva, espais de significaci\u00f3 d’aquest espai, ocult, diferenciat, en el que creix i prospera all\u00f2 que anomenem monstre. Post-humanisme, mitologies, vents foscos, Donna Haraway, femine\u00eftats mitol\u00f2giques, entre molt m\u00e9s.<\/p>\n

Per la seva banda, Caterina Almirall<\/a> publicava un meravell\u00f3s pastitx<\/em> nodrit de dinosaures i la seva representaci\u00f3 i conceptualitzaci\u00f3 primig\u00e8nia. Una mena d’arquitectura de l’imaginat, el projectat, una arqueologia realitzada a partir de fragments -com excusa- d’una ordenaci\u00f3 quasi prec\u00e0ria per a l’objecte, rica per al concepte, fruit de l’acoblament de peces posterior a la seva extinci\u00f3.<\/p>\n

Hem gaudit de valent, tamb\u00e9 amb Manuela Pedr\u00f3n Nicolau i la seva ressenya sobre Slow Motion<\/em> <\/a>, pel\u00b7l\u00edcula de Ben Rivers infectada pel paisatge del que \u00e9s an\u00f2mal, de les illes i paratges desconeguts que habiten en l’imaginari d’una ci\u00e8ncia ficci\u00f3 no convencional, molt m\u00e9s abstracta, o especulativa si es vol, m\u00e9s oberta a q\u00fcestions no palpables, a codis de representaci\u00f3 alterns.<\/p>\n

I mentre aix\u00f2 passava, vam acudir -sense text que ho ressenyi- a la inauguraci\u00f3 (estranya obertura) de “The more we know about them, the stranger they become” un cicle comissariat per Sonia F. Pan[[http:\/\/themoreweknowaboutthemthestrangertheybeco.me]], a la planta 0 de l’Arts Santa M\u00f2nica i que s’inaugura, despr\u00e9s de la introducci\u00f3 que ens va encantar, el 2 de febrer amb Roc Jim\u00e9nez de Cisneros. Ens va agradar especialment aix\u00f2 de la subjectivaci\u00f3 de l’objecte, aix\u00f2 del buidatge de l’espai per reclamar la pres\u00e8ncia d’aquest, que es personifica i gaireb\u00e9 encarna en un proc\u00e9s “fabul\u00f3s”, en el sentit de faula, que no sabem on ens pot portar. El cicle es diu “the more I know them, the stranger they become” i ens sembla un colof\u00f3 i un tret magn\u00edfic per continuar cap endavant amb aix\u00f2 de l\u2019apropar-se al estrany. Seguim.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ha passat un mes d’aquell text introductori en qu\u00e8 parl\u00e0vem, mig seriosament, de la monstruositat de l’\u00e8poca actual. Ens semblava interessant tractar aquesta contemporane\u00eftat, de la qual tan directament bevem,…<\/p>\n","protected":false},"author":1241,"featured_media":9686,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[5138],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nFen\u00f2mens estranys – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/fenomens-estranys\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fen\u00f2mens estranys – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Ha passat un mes d’aquell text introductori en qu\u00e8 parl\u00e0vem, mig seriosament, de la monstruositat de l’\u00e8poca actual. 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