{"id":9792,"date":"2017-06-30T01:00:00","date_gmt":"2017-06-30T01:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2017\/06\/30\/d-for-distribution3547\/"},"modified":"2023-07-10T12:29:35","modified_gmt":"2023-07-10T10:29:35","slug":"d-for-distribution3547","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/d-for-distribution3547\/","title":{"rendered":"D for Distribution"},"content":{"rendered":"

\"0-GIF-AvanessianMalik.gif\"
\n\u00a9 Andreas Topfer<\/p>\n

En el nostre dia a dia, en cada pas que prenem, quan arribem a la feina (si hi arribem -o quan ens asseiem, a casa, caf\u00e8-te-suc i ordinador…) quan comprem, ens movem en metro-bus-bici- cotxe… quan bevem aigua, begudes carbonatades o alcohol; en tot moment, estem envoltats de normes; morals o legals, vinculants o no, que determinen com s\u00f3n les coses i fixen els codis i les conductes d\u2019all\u00f2 correcte i just.<\/p>\n

De la mateixa manera que la pol\u00edtica que definim marca les nostres maneres de viure, les lleis que ens envolten -encara que les ignorem- determinen les nostres capacitats i els nostres l\u00edmits. Atrapats en normes, encara que no les coneguem, aquestes tamb\u00e9 arriben a un mercat de l’art que ha sobrepassat tots els l\u00edmits del que \u00e9s moral, just i correcte (com a mostra, Richard Prince) per\u00f2 que, tot i aix\u00ed, poblen un sistema complex que sovint no \u00e9s observat amb suficient atenci\u00f3.<\/p>\n

En aquest n\u00famero ens vam proposar parlar de les normes que estructuren la distribuci\u00f3 en el m\u00f3n de l’art i de tot el que es deriva d’aquest pas imprescindible per al sistema.<\/p>\n

Vam voler abordar el tema des d’un punt de vista legal i especialitzat, motiu pel qual vam demanar una col\u00b7laboraci\u00f3 a Eva Soria<\/a>, acostumada a moure\u2019s en els dos fronts, el legal i l’art\u00edstic. Tamb\u00e9 vam voler eixamplar judici i ampliar opcions amb l’observaci\u00f3 cr\u00edtica dels canals que hem conegut amb el canvi de segle: Gl\u00f2ria Guso signava un comentari recel\u00f3s del crowdfunding<\/a> (tamb\u00e9 podr\u00edem anomenar-lo \u201ccapitalisme de base \u00e0mplia\u201d?), dels seus perills i perversions. Nerea Arrojer\u00eda escrivia un text ple de referents haguts<\/a>, al\u00b7legat a les opcions reals d’una distribuci\u00f3 diferent, del compartir com a alternativa factible i eficient. Maria Mu\u00f1oz contribu\u00efa amb una imprescindible entrevista al gener\u00f3s i multifac\u00e8tic Armen Avanessian<\/a>, fil\u00f2sof del realisme especulatiu i art\u00edfex del projecte Discreet, ag\u00e8ncia d’intel\u00b7lig\u00e8ncia per a la gent; una conversa en qu\u00e8 a m\u00e9s vam con\u00e8ixer els sistemes de poder i sabotatge del sistema art; el Zeitkomplex<\/em> o la necessitat de sortir-se del “contemporani”.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a9 Andreas Topfer En el nostre dia a dia, en cada pas que prenem, quan arribem a la feina (si hi arribem -o quan ens asseiem, a casa, caf\u00e8-te-suc i…<\/p>\n","protected":false},"author":1241,"featured_media":9791,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[4396],"tags":[5773],"coauthors":[],"acf":[],"yoast_head":"\nD for Distribution – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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