{"id":10991,"date":"2012-01-25T03:12:52","date_gmt":"2012-01-25T03:12:52","guid":{"rendered":"http:\/\/a-desk.org\/2012\/01\/25\/criticism-and-criticality\/"},"modified":"2012-01-25T03:12:52","modified_gmt":"2012-01-25T03:12:52","slug":"criticism-and-criticality","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/criticism-and-criticality\/","title":{"rendered":"Criticism and criticality"},"content":{"rendered":"

We are in a time of very rapid changes. Reality supersedes fiction in the generation of inputs. Ships sink, banks are re-floated, web pages are closed down, politicians are in court, local protests that go global in seconds, projects that were previously utopian now receive direct financing from future participants\u2026something is occurring, and its occurring now. <\/p>\n

In a process of constant change, criticism (and the criticism of more traditional art) doesn\u2019t know where it stands. We need time! It\u2019s true. We need to be read! It\u2019s also true. Nobody\u2019s interested in us! And here lie the doubts\u2026 Could it not be the opposite? Is it not that some of the more traditionalist sectors aren\u2019t interested in what is going on? Is it not that the comfort of knowing how things function has dissipated a large part of the critical capacity and capacity for action? Is it not that we fear the existence of other pathways, with which we are not familiar? <\/p>\n

Criticism, of course, needs self-criticism. It also needs constantly to reconsider its forms, communication and language. And in a world where criticality begins to be dominant, criticism cannot lose its capacity\u2026to criticise.<\/p>\n

In this edition we publish three new texts. Lorena Mu\u00f1oz-Alonso analyses the situation of criticism after a few events exploring this subject in London. Montse Badia takes a look at the exhibition curated by Kaspar K\u00f6nig in K\u00f6ln and Oriol Fontdevila analyses the work of Perejaume in the context of La Pedrera in Barcelona.\n<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

We are in a time of very rapid changes. Reality supersedes fiction in the generation of inputs. 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