{"id":11014,"date":"2012-02-10T06:03:38","date_gmt":"2012-02-10T06:03:38","guid":{"rendered":"http:\/\/a-desk.org\/2012\/02\/10\/gestures\/"},"modified":"2012-02-10T06:03:38","modified_gmt":"2012-02-10T06:03:38","slug":"gestures","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/gestures\/","title":{"rendered":"Gestures"},"content":{"rendered":"

Antoni T\u00e0pies, one of the great figures of the art world has died. We would like at A*DESK to remember, not just his work, but also the gestures that define people. With the opening of T\u00e0pies Foundation, Barcelona gained a place where experimental proposals in art have a presence. Instead of being a space for the celebration of an individual, T\u00e0pies Foundation has been an open scenario that has made it possible to raise the artistic level of a city that at this moment in time, is filled with dismay. <\/p>\n

Gestures of this type are what indicate that there is some sense in continuing to work in the art world, to discover people who are capable of placing the needs of the sector and society, before personal glory or triumph. Just like Mir\u00f3 with Mir\u00f3 Foundation, T\u00e0pies opened the door to other artists, to young creators with whom he shared a dialogue on equal terms, offering something which at the moment is in very short supply: respect.<\/p>\n

In this edition of A*Magazine we present three new texts. Marti Manen analyzes the dangerous evolution of the art market and the institutional context. Clara L\u00f3pez presents the reaction of Berlin in the face of the desire of politicians to commandeer artistic creation in the city, and Ver\u00f3nica Escobar analyzes the exhibition of H\u00e9ctor Francesch at the Galer\u00eda Hartmann in Barcelona.\n<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Antoni T\u00e0pies, one of the great figures of the art world has died. 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