{"id":11889,"date":"2015-07-29T06:50:20","date_gmt":"2015-07-29T06:50:20","guid":{"rendered":"http:\/\/a-desk.org\/2015\/07\/29\/cultura-ocio-arte\/"},"modified":"2017-09-25T18:25:55","modified_gmt":"2017-09-25T18:25:55","slug":"cultura-ocio-arte","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/cultura-ocio-arte\/","title":{"rendered":"La pol\u00edtica, el ocio, el arte y sus derivas"},"content":{"rendered":"<p>Que el arte debe observar la realidad que le rodea, por sectorial, fragmentada o \u00edntima que sea, es algo que para muchos ni se cuestiona. Que la cr\u00edtica de arte, o incluso el pensamiento cr\u00edtico en el \u00e1mbito cultural general incida y\/o se nutra de su contexto inmediato, es algo que nos cuesta m\u00e1s de encontrar.<\/p>\n<p>Durante los \u00faltimos 30 d\u00edas hemos publicado cuatro art\u00edculos vinculados al contexto que son absorbentes, atentos. Hablan en cr\u00edtica sobre contexto sin, por una vez, centrar su objetivo en el tono, espacio, obra\u2026, sino en el marco que las genera.<\/p>\n<p>Paloma Checa nos enviaba desde La Habana sus <a href=\"http:\/\/a-desk.org\/highlights\/Notas-de-viaje-sobre-la-12-Bienal.html\">notas de viaje sobre la Biennal cubana<\/a>  con ojos a la funci\u00f3n y efectos de una encuentro de este tipo, como punto de encuentro internacional, como mostrador y receptor, en la que el contexto juega (m\u00e1s si cabe que en otras bienales) un rol tan primordial.<\/p>\n<p>Marina Vives publicaba con motivo del primer mes en pol\u00edtica &#8220;cl\u00e1sica&#8221; de Ada Colau y Manuela Carmena, un an\u00e1lisis del contexto pol\u00edtico actual, con sus <a href=\"http:\/\/a-desk.org\/highlights\/Obviedades-y-retos-A-partir-de-la.html\">obviedades y sus retos<\/a>, para, en paralelo, generar una suerte de desider\u00e1tum en relaci\u00f3n a la eventual importaci\u00f3n de ciertos c\u00f3digos al precarizado mundo del arte actual.<\/p>\n<p>Por su lado, y desde el contexto madrile\u00f1o, Rosa Naharro <a href=\"http:\/\/a-desk.org\/highlights\/La-Cultura-ese-negocio-de-todos-y.html\">firmaba un texto <\/a> en el que, a ra\u00edz del an\u00e1lisis sobre la curiosa posici\u00f3n actual de la cultura, a caballo entre ocio y negocio, acomet\u00eda sobre la necesidad de recuperar la condici\u00f3n de &#8220;com\u00fan&#8221; de la cultura que consumimos y vivimos.<\/p>\n<p>Por \u00faltimo, pedimos una entrevista y recibimos un curioso <a href=\"http:\/\/a-desk.org\/highlights\/Contra-la-Cooltura-Epilogo-a.html\">ep\u00edlogo a cuatro manos<\/a> entre Juan M. Minguet Batllori, presidente del ACCA y profesor, y Oscar Guayabero, dise\u00f1ador, profesor y cr\u00edtico, que resultaba en una especie de transcripci\u00f3n de una para-conversaci\u00f3n en la que no sobra ning\u00fan apunte.<\/p>\n<p>En uno de esos meses en los que queda claro que la temperatura que urge medir no es solo la del ambiente, aprovechamos para felicitar abiertamente al flamante director del MACBA, Ferran Barenblit, y para desear que su labor sea esto, consecuente con el tiempo. Estaremos atentos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Que el arte debe observar la realidad que le rodea, por sectorial, fragmentada o \u00edntima que sea, es algo que para muchos ni se cuestiona. Que la cr\u00edtica de arte,&#8230;<\/p>\n","protected":false},"author":1241,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[3586],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La pol\u00edtica, el ocio, el arte y sus derivas &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/en\/magazine\/cultura-ocio-arte\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La pol\u00edtica, el ocio, el arte y sus derivas &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Que el arte debe observar la realidad que le rodea, por sectorial, fragmentada o \u00edntima que sea, es algo que para muchos ni se cuestiona. 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