{"id":19081,"date":"2014-03-29T01:00:00","date_gmt":"2014-03-29T01:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/03\/29\/membranas-tetas-y-robots\/"},"modified":"2014-03-29T01:00:00","modified_gmt":"2014-03-29T01:00:00","slug":"membranas-tetas-y-robots","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/membranas-tetas-y-robots\/","title":{"rendered":"Membranas, tetas y robots"},"content":{"rendered":"

\"Epizoo
\nMembranas, cyborgs y animaciones grotescas. Marcel\u00b7l\u00ed Ant\u00fanez se encuentra en la m\u00e1s estricta de las vanguardias desde hace unos 25 a\u00f1os. Su car\u00e1cter transversal dentro de las artes, combinado con una base te\u00f3rica amplia y consistente, hace de sus obras un rompecabezas dif\u00edcil de resolver. El propio creador invent\u00f3 un neologismo – que da t\u00edtulo a la exposici\u00f3n en el Arts Santa M\u00f2nica – para definir sus pr\u00e1cticas: la sistematurgia (literalmente dramaturgia de los sistemas computacionales), o el espect\u00e1culo dramatizado de los medios tecnol\u00f3gicos, que encontramos explicada como pr\u00f3logo en el gigantesco mural SADDI, en la escalera principal del centro.<\/p>\n

Ant\u00fanez tiene un universo particular profundo y retorcido en el que podemos distinguir tres mundos que se entrelazan el uno con el otro, en una estructura compleja pero funcional. En primer lugar, el de la Naturaleza, formado por cosas y saberes que se hacen corp\u00f3reos en el lenguaje. En segundo lugar, encontramos el mundo del Arte, en el que por un lado distinguimos un profundo inter\u00e9s por la materia biol\u00f3gica, entendida como algo sujeto a una temporalidad, y por el otro, esta carne que se al\u00eda con pr\u00f3tesis rob\u00f3ticas en un frenes\u00ed performativo. El tercer engranaje de su universo es el Dibujo, entendido como un compendio de ideas e im\u00e1genes mentales que son plasmadas a trav\u00e9s de la l\u00ednea; una l\u00ednea que es un instrumento para la interpretaci\u00f3n de su entorno.<\/p>\n

En ‘Sistematurgia: Acciones, Dispositivos y Dibujos’ encontramos bien representados los diferentes aspectos de este universo. Se introducen los dibujos como eje vertebrador, despu\u00e9s las pr\u00f3tesis emotivas, y por \u00faltimo, la combinaci\u00f3n en varias instalaciones. No obstante, se echan de menos en la muestra las obras de Ant\u00fanez que se centran en la dimensi\u00f3n m\u00e1s biol\u00f3gica, como la macabra Metzina (2004 ), en la que la temporalidad y la corruptibilidad de la carne trasladan crudamente al espectador el tempus fugit que nos acompa\u00f1a d\u00eda a d\u00eda.<\/p>\n

Con todo, ‘Sistematurgia\u2019 consigue involucrar al visitante en los espect\u00e1culos dramatizados de los medios tecnol\u00f3gicos de Ant\u00fanez, haci\u00e9ndole gritar, tocar y pisar hasta convertirle en parte de la obra, en otro de los muchos engranajes de esta maquinaria c\u00f3smica.<\/p>\n","protected":false},"excerpt":{"rendered":"

Membranas, cyborgs y animaciones grotescas. Marcel\u00b7l\u00ed Ant\u00fanez se encuentra en la m\u00e1s estricta de las vanguardias desde hace unos 25 a\u00f1os. Su car\u00e1cter transversal dentro de las artes, combinado con…<\/p>\n","protected":false},"author":1317,"featured_media":15436,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6783],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nMembranas, tetas y robots – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Membranas, tetas y robots – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Membranas, cyborgs y animaciones grotescas. Marcel\u00b7l\u00ed Ant\u00fanez se encuentra en la m\u00e1s estricta de las vanguardias desde hace unos 25 a\u00f1os. Su car\u00e1cter transversal dentro de las artes, combinado con...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2014-03-29T01:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/01Epizoo1994_interactive_performance_detail.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"446\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jordi Garrido\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jordi Garrido\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/\",\"url\":\"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/\",\"name\":\"Membranas, tetas y robots – A*Desk\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/01Epizoo1994_interactive_performance_detail.jpg\",\"datePublished\":\"2014-03-29T01:00:00+00:00\",\"dateModified\":\"2014-03-29T01:00:00+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/c4f85efbb4464ab9f5adfa278f8a0df6\"},\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/#primaryimage\",\"url\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/01Epizoo1994_interactive_performance_detail.jpg\",\"contentUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/01Epizoo1994_interactive_performance_detail.jpg\",\"width\":670,\"height\":446},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/a-desk.org\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Membranas, tetas y robots\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/a-desk.org\/#website\",\"url\":\"https:\/\/a-desk.org\/\",\"name\":\"A*Desk\",\"description\":\"A*Desk Critical Thinking\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/a-desk.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/c4f85efbb4464ab9f5adfa278f8a0df6\",\"name\":\"Jordi Garrido\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/image\/7a8aee134f84e53c3e966919452472a1\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/9d1eab8dfe0e5144c1dc2166b94b26a4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/9d1eab8dfe0e5144c1dc2166b94b26a4?s=96&d=mm&r=g\",\"caption\":\"Jordi Garrido\"},\"description\":\"Jordi Garrido intenta dedicarse a la cultura. Desde su formaci\u00f3 en historia del arte compagina sus pulsiones art\u00edsticas contemporaneas con la vertiente m\u00e1s hist\u00f3rica del oficio, formando parte del proyecto de divulgaci\u00f3n y reconstrucci\u00f3n hist\u00f3rica Barcino Oriens.\",\"url\":\"https:\/\/a-desk.org\/en\/autor\/garrido\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Membranas, tetas y robots – A*Desk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/","og_locale":"en_US","og_type":"article","og_title":"Membranas, tetas y robots – A*Desk","og_description":"Membranas, cyborgs y animaciones grotescas. Marcel\u00b7l\u00ed Ant\u00fanez se encuentra en la m\u00e1s estricta de las vanguardias desde hace unos 25 a\u00f1os. Su car\u00e1cter transversal dentro de las artes, combinado con...","og_url":"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/","og_site_name":"A*Desk","article_published_time":"2014-03-29T01:00:00+00:00","og_image":[{"width":670,"height":446,"url":"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/01Epizoo1994_interactive_performance_detail.jpg","type":"image\/jpeg"}],"author":"Jordi Garrido","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jordi Garrido","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/","url":"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/","name":"Membranas, tetas y robots – A*Desk","isPartOf":{"@id":"https:\/\/a-desk.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/#primaryimage"},"image":{"@id":"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/#primaryimage"},"thumbnailUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/01Epizoo1994_interactive_performance_detail.jpg","datePublished":"2014-03-29T01:00:00+00:00","dateModified":"2014-03-29T01:00:00+00:00","author":{"@id":"https:\/\/a-desk.org\/#\/schema\/person\/c4f85efbb4464ab9f5adfa278f8a0df6"},"breadcrumb":{"@id":"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/#primaryimage","url":"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/01Epizoo1994_interactive_performance_detail.jpg","contentUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/01Epizoo1994_interactive_performance_detail.jpg","width":670,"height":446},{"@type":"BreadcrumbList","@id":"https:\/\/a-desk.org\/magazine\/membranas-tetas-y-robots\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/a-desk.org\/en\/"},{"@type":"ListItem","position":2,"name":"Membranas, tetas y robots"}]},{"@type":"WebSite","@id":"https:\/\/a-desk.org\/#website","url":"https:\/\/a-desk.org\/","name":"A*Desk","description":"A*Desk Critical Thinking","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/a-desk.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/a-desk.org\/#\/schema\/person\/c4f85efbb4464ab9f5adfa278f8a0df6","name":"Jordi Garrido","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/a-desk.org\/#\/schema\/person\/image\/7a8aee134f84e53c3e966919452472a1","url":"https:\/\/secure.gravatar.com\/avatar\/9d1eab8dfe0e5144c1dc2166b94b26a4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9d1eab8dfe0e5144c1dc2166b94b26a4?s=96&d=mm&r=g","caption":"Jordi Garrido"},"description":"Jordi Garrido intenta dedicarse a la cultura. Desde su formaci\u00f3 en historia del arte compagina sus pulsiones art\u00edsticas contemporaneas con la vertiente m\u00e1s hist\u00f3rica del oficio, formando parte del proyecto de divulgaci\u00f3n y reconstrucci\u00f3n hist\u00f3rica Barcino Oriens.","url":"https:\/\/a-desk.org\/en\/autor\/garrido\/"}]}},"_links":{"self":[{"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/posts\/19081"}],"collection":[{"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/users\/1317"}],"replies":[{"embeddable":true,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/comments?post=19081"}],"version-history":[{"count":0,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/posts\/19081\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/media\/15436"}],"wp:attachment":[{"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/media?parent=19081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/categories?post=19081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/tags?post=19081"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/coauthors?post=19081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}