{"id":19113,"date":"2014-02-24T01:00:00","date_gmt":"2014-02-24T01:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/02\/24\/double-screen-not-quite-tonight\/"},"modified":"2014-02-24T01:00:00","modified_gmt":"2014-02-24T01:00:00","slug":"double-screen-not-quite-tonight","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/double-screen-not-quite-tonight\/","title":{"rendered":"Double Screen (not quite tonight jellylike)"},"content":{"rendered":"<p><img decoding=\"async\" class=\" alignleft size-full wp-image-8671\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/img0855.jpg\" alt=\"Double Scrre (not quite tonight jellylike). Anna Barham\" align=\"left\" width=\"670\" height=\"391\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/img0855.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/img0855-595x347.jpg 595w, https:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/img0855-312x182.jpg 312w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><\/p>\n<p>En el pabell\u00f3n nueve hab\u00eda un stand compartido por dos galer\u00edas, una belga y otra inglesa. La belga es Tatjana Pieters y la inglesa, ARCADE. Representada por la segunda est\u00e1 la pieza de la feria que he encontrado m\u00e1s desafiante: <em>Double Screen (not quite tonight jellylike)<\/em>. Es un v\u00eddeo en dos pantallas producido por Anna Barham en 2013. En \u00e9l se ven unas manos interactuando con una impresora UV de gran formato. Im\u00e1genes fijas y animaciones generadas en entornos online habitan tambi\u00e9n la pantalla reconociendo la grabaci\u00f3n. <\/p>\n<p>Las manos del t\u00e9cnico impresor generan contexto con la m\u00e1quina, y las dos a su vez lo hacen juntas, y por su lado, con las siguientes capas. La m\u00e1quina dosifica tinta de colores sobre un soporte; las manos del t\u00e9cnico act\u00faan all\u00ed donde el grado de autonom\u00eda de \u00e9sta termina. Pero la relaci\u00f3n empieza con las palabras de la artista, repetidamente alteradas por un software de reconocimiento de voz. La voz de la artista pronuncia palabras, el \u00e1mbito de actuaci\u00f3n del programa comienza all\u00e1 donde la voz original se silencia. Las m\u00e1quinas y los cuerpos se dan un sentido propio en el encerrado -aunque bifocal- \u00e1mbito de convivencia. <\/p>\n<p>Doblando la esquina de la pared pero dentro de los dominios de la galer\u00eda londinense est\u00e1n las copias <em>move_squid eye_flash<\/em> y <em>IMG_155000172014<\/em>. Las im\u00e1genes est\u00e1n sacadas a partir del v\u00eddeo. El papel hologr\u00e1fico sobre el que est\u00e1n impresas confiere profundidad temporal a la relaci\u00f3n ling\u00fc\u00edstica que se establece entre el humano y el no humano. Como si la m\u00e1gica relaci\u00f3n de extensi\u00f3n entre ambos, connotada a esta experiencia compartida concreta, tuviera historia. Narremos la historia siempre en est\u00e9reo y con hologramas. <\/p>\n<p>Yo no s\u00e9 si la feria es mejor o peor que otros a\u00f1os.<br \/>\nDefiendo que dos cosas en principio diferentes se asocien y creen imagen. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>En el pabell\u00f3n nueve hab\u00eda un stand compartido por dos galer\u00edas, una belga y otra inglesa. La belga es Tatjana Pieters y la inglesa, ARCADE. Representada por la segunda est\u00e1&#8230;<\/p>\n","protected":false},"author":1245,"featured_media":15380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6783],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Double Screen (not quite tonight jellylike) &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/magazine\/double-screen-not-quite-tonight\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Double Screen (not quite tonight jellylike) &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"En el pabell\u00f3n nueve hab\u00eda un stand compartido por dos galer\u00edas, una belga y otra inglesa. 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Representada por la segunda est\u00e1...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/magazine\/double-screen-not-quite-tonight\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2014-02-24T01:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/img0855.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"391\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Paloma Checa\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Paloma Checa\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/magazine\/double-screen-not-quite-tonight\/\",\"url\":\"https:\/\/a-desk.org\/magazine\/double-screen-not-quite-tonight\/\",\"name\":\"Double Screen (not quite tonight jellylike) &#8211; A*Desk\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/a-desk.org\/magazine\/double-screen-not-quite-tonight\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/a-desk.org\/magazine\/double-screen-not-quite-tonight\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/img0855.jpg\",\"datePublished\":\"2014-02-24T01:00:00+00:00\",\"dateModified\":\"2014-02-24T01:00:00+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/495c4cb29a162846e5ae6a602e5bd82f\"},\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/magazine\/double-screen-not-quite-tonight\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/magazine\/double-screen-not-quite-tonight\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/a-desk.org\/magazine\/double-screen-not-quite-tonight\/#primaryimage\",\"url\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/img0855.jpg\",\"contentUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/img0855.jpg\",\"width\":670,\"height\":391},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/a-desk.org\/magazine\/double-screen-not-quite-tonight\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/a-desk.org\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Double Screen (not quite tonight jellylike)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/a-desk.org\/#website\",\"url\":\"https:\/\/a-desk.org\/\",\"name\":\"A*Desk\",\"description\":\"A*Desk Critical Thinking\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/a-desk.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/495c4cb29a162846e5ae6a602e5bd82f\",\"name\":\"Paloma Checa\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/image\/d88e9cfe6d730083e6e6b892a1db3a7f\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6e42eefe39d86c8f56d6700b1e69ea4b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6e42eefe39d86c8f56d6700b1e69ea4b?s=96&d=mm&r=g\",\"caption\":\"Paloma Checa\"},\"url\":\"https:\/\/a-desk.org\/en\/autor\/paloma\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Double Screen (not quite tonight jellylike) &#8211; A*Desk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/a-desk.org\/magazine\/double-screen-not-quite-tonight\/","og_locale":"en_US","og_type":"article","og_title":"Double Screen (not quite tonight jellylike) &#8211; A*Desk","og_description":"En el pabell\u00f3n nueve hab\u00eda un stand compartido por dos galer\u00edas, una belga y otra inglesa. 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