Centre d\u2019Art Santa M\u00f2nica<\/a>. Pero regresando al tema que nos ocupa, y retomando la premisa que se expone en l\u00edneas anteriores, entonces, \u00bfpodemos llegar a la conclusi\u00f3n de que el arte debe zafarse de la pol\u00edtica si quiere dejar de ser un fraude? Se trata, es obvio, de una postura extremista que, como tal, nos pone ante una elecci\u00f3n sin posibilidad de matices. Y ello es tan peligroso como la pose irreverente que el pretendido arte pol\u00edtico aspira a mostrar, que no demostrar.<\/p>\nHasta aqu\u00ed he obviado intencionadamente el punto de vista marxista que la ponencia inicial del grupo de trabajo postulaba, y lo seguir\u00e9 haciendo pues considero que intentar alejar el arte de la pol\u00edtica desde una postura abiertamente pol\u00edtica confiere al tema un sinsentido que complica innecesariamente, y en exceso, la discusi\u00f3n. S\u00e9 que esto tambi\u00e9n dar\u00e1 cabida a que se considere que no he sabido ver el trasfondo del asunto, sin embargo, creo que justamente es lo contrario, porque lo tengo presente prefiero no hablar de ello. Que los artistas que generan arte pol\u00edtico lo hacen en pos de unos dividendos, \u00abplusval\u00edas\u00bb indeterminadas, que hace que corrompan su mensaje y acaben por realizar pr\u00e1cticas parecidas a las que critican, s\u00ed, puede ser, pero ninguna ideolog\u00eda les y nos librar\u00e1 de ello, puesto que toda ideolog\u00eda est\u00e1 condenada al fracaso de sus postulados fundacionales, \u00fanicamente es posible alcanzar una parte de sus principios generales.<\/p>\n
Sin duda, se trata de una postura valiente, esta de atreverse en el contexto actual a desligar el arte de la pol\u00edtica y viceversa, por todo lo dicho hasta ahora y tambi\u00e9n porque plantea la duda de \u00bfpor qu\u00e9 est\u00e1 tan desvalorizada la impostura en algunos sectores? \u00bfQu\u00e9 es lo que ha ocurrido para que, cada vez m\u00e1s, haya un rechazo hacia este tipo de pr\u00e1cticas tanto por parte del p\u00fablico especializado como del que no lo es? La risa burlona que provocaban estas manifestaciones ha mutado en hast\u00edo, una metamorfosis perceptiva que sale a la superficie cuando el sistema prevalece sobre el proceso: se olvidan las funciones y las relaciones se relegan a un segundo plano, a veces a un tercero, cre\u00e1ndose un envoltorio vac\u00edo tanto de arte como de pol\u00edtica. Y ello no es bueno. <\/p>\n","protected":false},"excerpt":{"rendered":"
Durante los meses de octubre, noviembre y diciembre se llevaron a cabo en Medialab-Prado Madrid las sesiones del \u00abGrupo de trabajo sobre arte y pol\u00edtica\u00bb, convocado por Brumaria, y destinado…<\/p>\n","protected":false},"author":1284,"featured_media":15268,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6783],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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<\/p>\n