{"id":19173,"date":"2013-12-05T01:00:00","date_gmt":"2013-12-05T01:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/12\/05\/nuevo-articulo2582\/"},"modified":"2013-12-05T01:00:00","modified_gmt":"2013-12-05T01:00:00","slug":"nuevo-articulo2582","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/nuevo-articulo2582\/","title":{"rendered":"Sorpresas, sustos y malentendidos en torno al arte outsider en La Casa Encendida"},"content":{"rendered":"<p><img decoding=\"async\" class=\" alignleft size-full wp-image-8410\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2013\/12\/Mundo_Extreme.jpg\" alt=\"Mundo Extreme - Debajo del sombrero\" align=\"left\" width=\"670\" height=\"377\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/12\/Mundo_Extreme.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2013\/12\/Mundo_Extreme-595x335.jpg 595w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><br \/>\n<em>Mundo Extreme<\/em> es de esas exposiciones que sorprenden, y cuesta entender si para bien o para mal. La primera sorpresa: cuando me enter\u00e9 de que en <a href=\"https:\/\/www.lacasaencendida.es\/page\/id-1-1143-0-102075-446808-102040-0.go\">La Casa Encendida<\/a> iban a presentar una exposici\u00f3n de obras realizadas en los talleres de <a href=\"http:\/\/www.debajodelsombrero.org\">Debajo del Sombrero<\/a>. No son muchas las exposiciones de arte <em>outsider<\/em> (o como lo queramos etiquetar) que llegan a Madrid. La gran sorpresa: entrar en la sala y encontrarme con la reconstrucci\u00f3n de un prototipo de museo etnogr\u00e1fico tradicional, con todas las connotaciones m\u00e1gico-misteriosas que delimitaron la idea de un \u201carte de los otros\u201d. <\/p>\n<p>Una elecci\u00f3n curatorial poco acertada. La disposici\u00f3n en serie de las obras, enmarcadas en aparatosas estructuras, y la iluminaci\u00f3n efectista de la sala consiguen reproducir las din\u00e1micas expositivas de las formas m\u00e1s convencionales de presentar lo diferente, favoreciendo experiencias exclusivamente emotivas y aislando las piezas como casos de estudio extravagantes. Imagino que no es \u00e9ste el objetivo final del proyecto, pero es la sensaci\u00f3n que provoca. <\/p>\n<p>Si la plataforma Debajo del Sombrero ha trabajado desde hace cinco a\u00f1os por la consideraci\u00f3n de este tipo de manifestaciones en instituciones art\u00edsticas como Matadero, la universidad de Bellas Artes o La Casa Encendida, esta exposici\u00f3n parece jugar en contra. El discurso comisarial de la muestra se concentra \u00fanicamente en el planteamiento de una f\u00f3rmula expositiva que tiende a la vinculaci\u00f3n est\u00e9tica de las obras seleccionadas con la idea de artefacto etnogr\u00e1fico. Las fascinantes obras de Alicia Herrera, Bel\u00e9n S\u00e1nchez o Andr\u00e9s Fern\u00e1ndez quedan as\u00ed atrapadas en un ambiente casi siniestro, que lleva a malentendidos entre las premisas te\u00f3ricas de la exposici\u00f3n y la forma en que son transmitidas.<\/p>\n<p>Considero leg\u00edtimo y muy interesante experimentar con distintos dispositivos para encontrar sistemas particulares de exposici\u00f3n y especialmente en relaci\u00f3n a producciones marginales (en la acepci\u00f3n m\u00e1s positiva del t\u00e9rmino). Sin embargo, en este caso el punto de referencia escogido es tan concreto que es dif\u00edcil que genere un campo de experiencias nuevo. Habr\u00e1 que seguir d\u00e1ndole vueltas.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mundo Extreme es de esas exposiciones que sorprenden, y cuesta entender si para bien o para mal. La primera sorpresa: cuando me enter\u00e9 de que en La Casa Encendida iban&#8230;<\/p>\n","protected":false},"author":1306,"featured_media":15227,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6783],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sorpresas, sustos y malentendidos en torno al arte outsider en La Casa Encendida &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/magazine\/nuevo-articulo2582\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sorpresas, sustos y malentendidos en torno al arte outsider en La Casa Encendida &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Mundo Extreme es de esas exposiciones que sorprenden, y cuesta entender si para bien o para mal. 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