Galer\u00eda Blanca Soto<\/a> de Madrid, el colectivo genera un verdadero retrato social pict\u00f3rico encriptado, entendiendo la pintura como medio y no como fin propio o tautol\u00f3gico del arte. A simple vista, en estas piezas uno puede \u201cidentificar\u201d gr\u00e1ficos y estad\u00edsticas que llevados al lienzo podr\u00edan conformar una suerte de \u201cgeometr\u00eda estad\u00edstica formal\u201d. La llamada por el propio equipo de artistas \u201cgeometr\u00eda social\u201d, esa que ya emplearon en la serie American Colors, que ahora se exhibe en el Centro Cultural Pelaires dentro del proyecto \u201cHigh Society\u201d, comisariado por Fernando G\u00f3mez de la Cuesta en Palma de Mallorca. <\/p>\nEsa mirada fr\u00eda a la estad\u00edstica de la desigualdad contrasta con el refinamiento y el acabado pr\u00e1cticamente industrial (pero fingido) de las piezas pict\u00f3ricas de la exposici\u00f3n. Incluso esa idea de precariedad de la pintura teje una red que directamente se incrusta en la realidad de lo cotidiano, el artista de ahora, m\u00e1s por obligaci\u00f3n que por decisi\u00f3n, est\u00e1 redireccionando su trabajo a lo manual y a lo auto-producido.<\/p>\n
Piezas como \u201cManifestaciones en Espa\u00f1a, 2003-12\u201d o \u201cDeuda p\u00fablica en Espa\u00f1a, 2002-12\u201d hacen referencia directa a la indignaci\u00f3n. Se ha teorizado mucho a favor y en contra de cualquier estetizaci\u00f3n de los movimientos del 15 M, sin embargo, tras la distancia que da el tiempo para pensar mejor los acontecimientos, podemos decir que un grupo de artistas ha generado tejido en torno a los temas de actualidad, probablemente los \u00fanicos sobre los que se deber\u00eda hablar a trav\u00e9s del arte. <\/p>\n
Quiz\u00e1s el arte no valga para nada, pero al menos, estamos obligados a mantenernos en guardia. PSJM lo hace, siguen en primera l\u00ednea de conflicto, o asomados al abismo de lo real, en ese ejercicio de reflexi\u00f3n madura que sin embargo lleva las cosas al l\u00edmite. Adem\u00e1s consiguen sorprender con la rotundidad de una obra altamente inquietante. PSJM meten el dedo en la llaga, y una vez m\u00e1s, ejercen de francotiradores, con una precisi\u00f3n exquisita que invita a reflexionar, como Bourriaud, sobre la pregunta: \u00bfQu\u00e9 pueden los artistas, a qu\u00e9 pueden acceder, hasta d\u00f3nde pueden ir en la transformaci\u00f3n del mundo y la evoluci\u00f3n de su rol sin abandonar su estatus de artistas? Sin dar respuestas, plantean estrategias para dilucidar estas cuestiones, abriendo la puerta de nuevas realidades, tanto cr\u00edticas, como representativas. <\/p>\n","protected":false},"excerpt":{"rendered":"
El colectivo PSJM siempre ha afrontado sus proyectos desde la pr\u00e1ctica cr\u00edtica del arte. PSJM es un equipo art\u00edstico formado por Pablo San Jos\u00e9 (Mieres, 1969) y Cynthia Viera (Las…<\/p>\n","protected":false},"author":1283,"featured_media":15188,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6783],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
PSJM. "Spanische Malerei" – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/magazine\/psjm-spanische-malerei\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PSJM. "Spanische Malerei" – A*Desk\" \/>\n<meta property=\"og:description\" content=\"El colectivo PSJM siempre ha afrontado sus proyectos desde la pr\u00e1ctica cr\u00edtica del arte. 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<\/p>\n