{"id":20361,"date":"2010-05-18T13:14:55","date_gmt":"2010-05-18T13:14:55","guid":{"rendered":"http:\/\/a-desk.org\/2010\/05\/18\/quien-representa-el-presente\/"},"modified":"2017-09-26T00:51:14","modified_gmt":"2017-09-26T00:51:14","slug":"quien-representa-el-presente","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/quien-representa-el-presente\/","title":{"rendered":"\u00bfQui\u00e9n representa el presente?"},"content":{"rendered":"

Cierto aburrimiento se apodera del arte contempor\u00e1neo. Todo est\u00e1 bien, todo est\u00e1 fant\u00e1stico, nos vemos por el mundo y siempre con alg\u00fan cotilleo para contar. El sistema sigue siendo el mismo, los lugares tambi\u00e9n. \u00bfY los contenidos? \u00bfY la opini\u00f3n? \u00bfy las posiciones frente a lo que nos rodea? \u00bfY las posibilidades?<\/p>\n

En un mundo en crisis es dif\u00edcil no plantearse hacia d\u00f3nde vamos ni qu\u00e9 es lo que ha pasado; y, a\u00fan menos, que pasa hoy. Pero, de alg\u00fan modo, las estructuras del arte son suficientemente potentes para seguir hablando de ellas mismas, sin necesidad de salir de los m\u00e1rgenes de unas estrategias que siguen funcionando. Hoy. En la correcci\u00f3n existe la seguridad.<\/p>\n

Una de las salidas es mirar hacia los lados para volver otra vez donde est\u00e1bamos. La experimentaci\u00f3n sonora, las actitudes bajo el graffitti o la cultura popular son tres de esas cosas que, de vez en cuando, sirven para preguntarse hacia d\u00f3nde vamos, qu\u00e9 es lo que queremos y, tambi\u00e9n, para aproximarse -sin saber muy bien c\u00f3mo- a otros posibles p\u00fablicos.<\/p>\n

En este n\u00famero de A*DESK Claudio Iglesias escribe sobre la crisis filos\u00f3fica en el arte, Clara Paolini sobre la pel\u00edcula de Banksy y Ant\u00f3n Padr\u00f3n sobre la propuesta sobre graffitti en la Fundaci\u00f3n Caixa Gal\u00edcia en A Coru\u00f1a, Rosa Naharro sobre la exposici\u00f3n con arte sonoro en Casa Encendida en Madrid y David G. Torres sobre la exposici\u00f3n a partir de Las Ramblas en La Virreina de Barcelona.<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Cierto aburrimiento se apodera del arte contempor\u00e1neo. Todo est\u00e1 bien, todo est\u00e1 fant\u00e1stico, nos vemos por el mundo y siempre con alg\u00fan cotilleo para contar. El sistema sigue siendo el…<\/p>\n","protected":false},"author":1241,"featured_media":16319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6783],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n\u00bfQui\u00e9n representa el presente? – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/magazine\/quien-representa-el-presente\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00bfQui\u00e9n representa el presente? – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Cierto aburrimiento se apodera del arte contempor\u00e1neo. 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