{"id":24776,"date":"2018-10-31T06:00:13","date_gmt":"2018-10-31T05:00:13","guid":{"rendered":"http:\/\/a-desk.org\/magazine\/piedras\/"},"modified":"2018-11-02T09:49:04","modified_gmt":"2018-11-02T08:49:04","slug":"piedras","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/piedras\/","title":{"rendered":"STONES"},"content":{"rendered":"

In 2017, Abraham Poincheval lived for a week inside a rock measuring 2.5metres in height by 1.6 metres in diameter, from which he had excavated the shape of a seated person for an exhibition at the Palais de Tokyo in Paris. An expert in spending time enclosed in extremely small spaces, apropos Pierre<\/em> (Stone) the artist says that ‘the impression of speed only depends on us, on our own point of view’. Once again, stones are fashionable in contemporary art, or maybe they never really went out of fashion. Like the metaphor of motionlessness or slowness speaking of the Anthropocene, the destruction of the environment, colonialism or even the questioning of the art market, this month of October we have focused on stony matter, which we have examined from different angles.<\/p>\n

None of the authors who have contributed to this issue agree with the Spanish saying ‘menos da una piedra’ (literally, ‘a stone gives less’, meaning ‘better than nothing’), as proved by Nerea Arrojer\u00eda in her text on the theft of one of the small stones in a Yoko Ono installation at her show in a Canadian museum. The controversy surrounding the insurance value of the work is an excuse for revising the prices that other famous stones have fetched on the art market, chiefly at auctions.<\/p>\n

Anna Dot presented stones as a source of knowledge. Analysing games, the gravel industry and the property market, she discussed ancient tongues (the Rosetta Stone) and the works by Bruno Munari, Lorenz von Liburnau and Irene Kopelman. Albert Alcoz, focusing on audiovisuals, reviewed and commented on a long list of artworks in which stones, rocks and pebbles take centre stage. At A*Desk we already had had occasion to discuss Pierre Bismuth’s film<\/a> on the fake rock Ed Ruscha left somewhere in a desert.<\/p>\n

Captured rocks, and rocks that have been stolen and deported feature in the text by Carlota Sur\u00f3s about the Kueka Stone and the Global Stone<\/em> art project by Wolfgang Kraker von Schwarzenfeld. Despite the happy ending for the indigenous people who are the legitimate owners of the stone, this isn’t an isolated case as in 2012 the El Chaco meteorite was not allowed to travel to Kassel on occasion of documenta 13. Eurocentricity, colonial relations and Western privileges in the art world. Nothing new under the sun. To take full advantage of the theme of stones, Alexandra Laudo chatted to alfonso borrag\u00e1n about his Lit\u00f3fagos<\/em> (Lithophagous) project. In short, stones go such a long way that they can even be eaten.<\/p>\n

\n

Picture: Egill\u00a0S\u00e6bj\u00f6rnsson,\u00a0A Night turns into a Day<\/a>, 2012<\/p>\n","protected":false},"excerpt":{"rendered":"

In 2017, Abraham Poincheval lived for a week inside a rock measuring 2.5metres in height by 1.6 metres in diameter, from which he had excavated the shape of a seated…<\/p>\n","protected":false},"author":1241,"featured_media":24753,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[5966],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nSTONES – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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