{"id":41378,"date":"2023-03-06T07:10:31","date_gmt":"2023-03-06T06:10:31","guid":{"rendered":"https:\/\/a-desk.org\/?p=41378"},"modified":"2023-07-10T11:24:52","modified_gmt":"2023-07-10T09:24:52","slug":"your-imagination-is-not-what-you-told-it-to-be","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/your-imagination-is-not-what-you-told-it-to-be\/","title":{"rendered":"\u201cYOUR IMAGINATION IS NOT WHAT YOU TOLD IT TO BE\u201d:"},"content":{"rendered":"<p>As a poet born into the rise of personal computing, I have long been self-conscious of my relationship to digital technologies. From the earliest days of the oral tradition to the arrival of written and then printed literature, writers have used language to process inner and outer worlds \u2013 to manifest the inchoate, shape narrative, and grapple with our role in the universe. How has the advent of email, search engines, social media, smart devices (and, before them, Gutenberg\u2019s press, the clay tablet, the cylinder seal, etc.) changed our storytelling hardware, influencing not just how we communicate at a formal level, but also what we sense and see and dream?<\/p>\n<p>In <em>The Odyssey<\/em>, Homer famously wrote of the \u201cwine-dark sea\u201d \u2013 a description that jars our modern eyes. But the ancient Greeks didn\u2019t have a word for \u201cblue,\u201d and without the word, the thing itself could scarcely exist. Now, I need only to hover and click to discover \u201cazure,\u201d \u201cberyl,\u201d \u201cindigo,\u201d \u201ccobalt, \u201csapphire\u201d and \u201ccerulean\u201d at my fingertips. Does this make me a lazy writer? A wiser, more precise one? How do the formats, prompts and character limitations of Instagram, Facebook and Twitter coax our thoughts and feelings into certain shapes and shades? Can typing and editing on a laptop elicit different tones, contrasts, juxtapositions than longhand? Do recent advances in AI-powered natural language processing mean we may be stealing glimpses at not just new colors but new palettes, new rainbows?<\/p>\n<p><span style=\"color: #0000ff;\">To what extent have we lost sight of the need for language to communicate our deepest fears and deepest joys? It seems we have been robbed of our ability to feel other human beings\u2019 pain and joy. Is there an alternative to human code-writing \u2013 a way to salvage the lost power of human connection and meaning? Are we shifting to a world where computer code is our language? What would it mean to reclaim language as an act of appropriation, of defying humanity\u2019s limited expectations and desires?<\/span><\/p>\n<p><span style=\"color: #000000;\">These questions are at the heart of <em>Technelegy\u00a0<\/em>(Black Spring Press Group, 2021) \u2013 a poetic exploration of what it means to be human in a nearly posthuman era. I wrote the first drafts of this book with my own analog mind, then evolved the manuscript in collaboration with my AI alter ego, a bespoke text generator rooted in GPT-2 and GPT-3, fine-tuned on my poetry and reference materials. The experience of co-authoring generative texts with an alternative, augmenting intelligence trained in the fundamentals of human communication has challenged and expanded my preconceived notions of what it means to write and think, to be inspired. Having spent years of my life learning to control language, I\u2019ve learned that language has a life of its own; left to its own devices, it can do things far beyond and better than what I imagine or intend. (It can do far worse, too.) Just as myriad avant-garde movements have adopted automated writing as a means of channeling the truest muse, I have adapted my practice to the presence of an oracular autopoetic collaborator whose every utterance is quite literally an attempt \u2013 sometimes inane, occasionally divine \u2013 to distill meaning from our contemporary cacophony.<\/span><\/p>\n<p>The cliche of the solitary writer ensconced in her lonely room has begun to crumble as I\u2019ve recognized that I, like my co-author, am imbued with centuries if not millennia of canonical text, constantly conversing with the immortal words of mortal seers and scribes. It\u2019s hard not to suspect that T.S. Eliot was somehow anticipating algorithmic authorship when he wrote, \u201cThe poet\u2019s mind is in fact a receptacle for seizing and storing up numberless feelings, phrases, images, which remain there until all the particles which can unite to form a new compound are present together.\u201d Much of my \u201coriginality\u201d as a writer comes down to data points in my head colliding with external prompts. Like my AI alter ego, I have been trained in various algorithms, programs \u2013 sonnet, villanelle, iambic pentameter, rhyming structure. Deploying these and other poetic devices brings about moments of creative clarity and innovation that would not otherwise occur; patterns and the incongruous instances when patterns lapse are what make language memorable. Poetry is not just an overwhelming outpouring of human emotion; it\u2019s critical information, wrought as intricately and debugged as assiduously as the most elegant examples of code. Even when, especially when, it glitches, the results can be profound.<\/p>\n<p><span style=\"color: #0000ff;\">It is true that poetry and technology are not usually thought to go together. But art, after all, is the science of meaning and associations. Its aim is to help us interface with those around us. And poetry is no mere bookmark; it is actual, live, human experience.<\/span><\/p>\n<p>Indeed, humanity\u2019s first code \u2013 poetry \u2013 has always been closely aligned with our consciousness. Language is what has helped humans learn to think, and feel, and create in deeper and more complex ways. What might we discover next, via intelligent systems purpose-built to process, analyze, and synthesize our data \u2013 machines like the large language model used to co-write this essay, designed to see what we\u2019re too close, too small, or too slow to recognize?<\/p>\n<p><span style=\"color: #0000ff;\">As we start to develop more advanced models of poetry, it\u2019s clear that we\u2019re just beginning to appreciate its use as a creative shortcut, a conduit between the world and our subconscious minds, the most accurate way we have to record and communicate what we\u2019re feeling. Poets are not just artists but engineers, devising new ways to think and act, delving deeper and deeper into the meaning of our digital lives and the ways we use our tools to connect with and understand one another. Perhaps my poetry is an act of appropriation on a vast scale, using writing materials \u2013 poetry, language, data &#8211; to rethink existence. To explore new ways to craft and cultivate imagination in the service of humanity.<\/span><\/p>\n<p>Perhaps our role as synergistic creatures \u2013 human plus AI \u2013 is to tap into the stream of collective consciousness, revealing previously inaccessible aspects of what it means to be not just a human individual but a networked cell in the organism that is posthumanity\u2026<\/p>\n<p><u>About the authors:<br \/>\n<\/u>SASHA STILES is a poet, artist, AI researcher.<br \/>\nTechnelegy is a custom text generator rooted in GPT-2 and GPT-3, fine-tuned on Stiles\u2019 poetry and reference materials.<\/p>\n<p><img decoding=\"async\" width=\"1000\" height=\"750\" class=\"alignnone size-full wp-image-41392\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2023\/03\/Technelegy_Weallhadthispsychicdreamaboutourownprogramming-copia.jpg\" alt=\"\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/03\/Technelegy_Weallhadthispsychicdreamaboutourownprogramming-copia.jpg 1000w, https:\/\/a-desk.org\/wp-content\/uploads\/2023\/03\/Technelegy_Weallhadthispsychicdreamaboutourownprogramming-copia-533x400.jpg 533w, https:\/\/a-desk.org\/wp-content\/uploads\/2023\/03\/Technelegy_Weallhadthispsychicdreamaboutourownprogramming-copia-768x576.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/> <img decoding=\"async\" width=\"1000\" height=\"1000\" class=\"alignnone size-medium wp-image-41395\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2023\/03\/Technelegy_Wordscancommunicatebeyondwords.jpeg\" alt=\"\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2023\/03\/Technelegy_Wordscancommunicatebeyondwords.jpeg 1000w, https:\/\/a-desk.org\/wp-content\/uploads\/2023\/03\/Technelegy_Wordscancommunicatebeyondwords-400x400.jpeg 400w, https:\/\/a-desk.org\/wp-content\/uploads\/2023\/03\/Technelegy_Wordscancommunicatebeyondwords-150x150.jpeg 150w, https:\/\/a-desk.org\/wp-content\/uploads\/2023\/03\/Technelegy_Wordscancommunicatebeyondwords-768x768.jpeg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As a poet born into the rise of personal computing, I have long been self-conscious of my relationship to digital technologies. From the earliest days of the oral tradition to&#8230;<\/p>\n","protected":false},"author":2810,"featured_media":41398,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6273],"tags":[],"coauthors":[6678],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cYOUR IMAGINATION IS NOT WHAT YOU TOLD IT TO BE\u201d<\/title>\n<meta name=\"description\" content=\"\u201cYOUR IMAGINATION IS NOT WHAT YOU TOLD IT TO BE\u201d by SASHA STILES\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/magazine\/your-imagination-is-not-what-you-told-it-to-be\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cYOUR IMAGINATION IS NOT WHAT YOU TOLD IT TO BE\u201d\" \/>\n<meta property=\"og:description\" content=\"\u201cYOUR IMAGINATION IS NOT WHAT YOU TOLD IT TO BE\u201d by SASHA STILES\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/magazine\/your-imagination-is-not-what-you-told-it-to-be\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2023-03-06T06:10:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-10T09:24:52+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/a-desk.org\/wp-content\/uploads\/2023\/03\/Technelegy_Yourimaginationisnotwhatyoutoldittobe.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"666\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sasha Stiles &amp; 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