{"id":62150,"date":"2024-11-25T07:13:59","date_gmt":"2024-11-25T06:13:59","guid":{"rendered":"https:\/\/a-desk.org\/?p=62150"},"modified":"2024-11-29T16:36:02","modified_gmt":"2024-11-29T15:36:02","slug":"lo-cute-y-melenas-sobre-pelo","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/lo-cute-y-melenas-sobre-pelo\/","title":{"rendered":"Cuteness and manes on hair"},"content":{"rendered":"<p class=\"p1\"><strong>1. <em>Cute<br \/>\n<\/em><\/strong>Being cute, in our case, became a shield against sexualization within the patriarchal environment in which we began to be Momu &amp; No Es. A kind of &#8220;cute capital&#8221; allowed us to operate in a terrain difficult to intervene.<\/p>\n<p>To contextualize this notion of &#8220;cute capital&#8221;, I\u2019ve put together a series of ideas and reflections that make up the relationship between cute and the construction of a space of resistance.<\/p>\n<p><strong>A. Yesterday<\/strong><\/p>\n<div id=\"attachment_62132\" style=\"width: 810px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-62132\" decoding=\"async\" class=\"wp-image-62132 size-full\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2024\/11\/Lo-Cute-y-melenas-sobre-pelo-Flynns-process-book.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2024\/11\/Lo-Cute-y-melenas-sobre-pelo-Flynns-process-book.jpg 800w, https:\/\/a-desk.org\/wp-content\/uploads\/2024\/11\/Lo-Cute-y-melenas-sobre-pelo-Flynns-process-book-400x400.jpg 400w, https:\/\/a-desk.org\/wp-content\/uploads\/2024\/11\/Lo-Cute-y-melenas-sobre-pelo-Flynns-process-book-150x150.jpg 150w, https:\/\/a-desk.org\/wp-content\/uploads\/2024\/11\/Lo-Cute-y-melenas-sobre-pelo-Flynns-process-book-768x768.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-62132\" class=\"wp-caption-text\">An arts student\u2019s notebook decorated with stickers of Sony Angel dressed as a cat, and a Sylvanian Families doll, among other motifs.<\/p><\/div>\n<p>Lab 1, a class of 23 first-year students. Introductions with pronouns, all She\/Her or All of them. A relaxed environment, but not for that reason not challenging.<\/p>\n<p class=\"p1\"><strong>B. Cuteness and Japan<br \/>\n<\/strong>The first time I went to Japan, one of the things that most caught my attention was that cute was for everyone, from schoolchildren to subway workers, salarymen, and Buddhist monks, all of whom wore uniforms (although that\u2019s another topic). As I was saying, they all had charms and little dolls unabashedly decorating their cell phones and work bags.<\/p>\n<p>They all openly consumed cuteness as kawaii<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_1');\" onkeypress=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_1');\" ><sup id=\"footnote_plugin_tooltip_62150_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_62150_1_1\" class=\"footnote_tooltip\">Kawaii. Japanese use cuteness in a wide variety of instances and situations where, in other cultures, it might be considered incongruously childish or frivolous (for example, in government&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_1');\">Continue reading<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_62150_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_62150_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> or its multiple derivations<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_2');\" onkeypress=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_2');\" ><sup id=\"footnote_plugin_tooltip_62150_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_62150_1_2\" class=\"footnote_tooltip\">For example, Gurokawa (\u30b0\u30ed\u30ab\u30ef), known as &#8220;Creepy Cute&#8221; outside of Japan, is a Japanese aesthetic characterized by a juxtaposition of Kawaii imagery with grotesque elements and&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_2');\">Continue reading<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_62150_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_62150_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<br \/>\nI read later that in Japan there is even an official figure of Cuteness Ambassador.<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_3');\" onkeypress=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_3');\" ><sup id=\"footnote_plugin_tooltip_62150_1_3\" class=\"footnote_plugin_tooltip_text\">[3]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_62150_1_3\" class=\"footnote_tooltip\">May, Simon: <em>El poder del lo cuqui<\/em> <em>(The Power of Cuteness)<\/em>, Alpha Decay 2019<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_62150_1_3').tooltip({ tip: '#footnote_plugin_tooltip_text_62150_1_3', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p>\n<p><img decoding=\"async\" width=\"1000\" height=\"1096\" class=\"alignnone size-full wp-image-62109\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2024\/11\/Lo-Cute-y-melenas-sobre-pelo-kawaiiposting-post.jpg\" alt=\"\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2024\/11\/Lo-Cute-y-melenas-sobre-pelo-kawaiiposting-post.jpg 1000w, https:\/\/a-desk.org\/wp-content\/uploads\/2024\/11\/Lo-Cute-y-melenas-sobre-pelo-kawaiiposting-post-365x400.jpg 365w, https:\/\/a-desk.org\/wp-content\/uploads\/2024\/11\/Lo-Cute-y-melenas-sobre-pelo-kawaiiposting-post-768x842.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p class=\"p1\"><strong>C. Cuteness in Western Culture<br \/>\n<\/strong>Meanwhile, here, cuteness has historically been linked to childhood, pets, adolescent girls, or decorative elements, that is, to the domestic world, with negative connotations and a lack of agency that these notions entail. Cuteness generated, and often still does, a certain shame and intellectual contempt. But what if this \u201csuperficiality\u201d is also friction?<\/p>\n<p class=\"p1\"><strong>2. Radical cuteness (<span class=\"s1\">\u3063<\/span><span class=\"s2\">\u25d5<\/span>\u203f<span class=\"s2\">\u25d5<\/span>)<span class=\"s1\">\u3063<\/span> \u2665<br \/>\n<\/strong>Cute responds to an intense desire, and exists in a place where <em>Daddy<\/em> has been constantly administering the law, dictating what can and cannot be done. Radical cute emerges from the intimacy of dormitories, centers of operations in which common spaces of belonging are constructed in which to act freely.<\/p>\n<p>Amy Ireland and Maya B. Kronic, authors of <em>Cute Accelerationism<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_4');\" onkeypress=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_4');\" ><sup id=\"footnote_plugin_tooltip_62150_1_4\" class=\"footnote_plugin_tooltip_text\">[4]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_62150_1_4\" class=\"footnote_tooltip\">Amy Ireland &amp; Maya B. Kronic, <em>Cute Accelerationism<\/em>, Urbanomic, 2024.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_62150_1_4').tooltip({ tip: '#footnote_plugin_tooltip_text_62150_1_4', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>, mention \u201c<strong>We are Cute Together<\/strong>\u201d in an interview for the <a href=\"https:\/\/soundcloud.com\/podcast-co-coopercherry\" target=\"_blank\" rel=\"noopener\"><em>Machinic Unconspicious Happy Hour<\/em><\/a> podcast. This expression reflects their joint exploration of how cute can serve as a form of resistance and subversion in contemporary cultural contexts.<\/p>\n<p>This idea makes me think of Noura Tafeche and Alex Quicho, of Montse Badia and Maria Mu\u00f1oz, and of Eva and me, in cute collaborations and how these unions expand, in this case, to include all of us who have collaborated in some way in the past <a href=\"https:\/\/www.youtube.com\/watch?v=KgsZWaVQN6I\" target=\"_blank\" rel=\"noopener\">A*LIVE 2024<\/a>. This <em>togetherness<\/em> speaks of belonging to an emancipatory place of the feminist LGTIBQA+ community.<\/p>\n<p>Being cute once again becomes a multipurpose umbrella. It no longer just protects, it also waterproofs us and, at the same time, offers us a ground on which to operate without having to justify anything. <strong>We are cute together.<\/strong><\/p>\n<p class=\"p1\"><strong>Mane on hair on a Doll \u0295\u2022\u0301<span class=\"s4\">\u1d25<\/span>\u2022\u0300\u0294<\/strong><span class=\"s1\"><strong>\u3063<\/strong><br \/>\n<\/span>Returning to Japan, the term kawaii was originally used only to describe the cuteness of a baby or an animal, things that are considered \u201cauthentically kawaii.\u201d Nowadays, however, the use has been extended to all kinds of things. The kawaii phenomenon was presented for the first time time during the 1960s with the appearance of stuffed animals.<\/p>\n<p>These non-human animals and objects, with their constant personification, are reviled and disrespected by our anthropocentric society.gaze. Let&#8217;s talk about long curly hair and animal transvestites.<\/p>\n<p>Examples such as <em>La Aldea del Arce<\/em> <em>(The Deer\u2019s Village)<\/em> or the <em>Sylvanian Families<\/em> are part of a huge audiovisual production of cuteness in which animals and anthropomorphic objects respond to human attitudes, giving rise to an army of subordinates. These little cuties confront us with the uncanny, that disturbing blink that reveals otherness in the midst of the familiar. The end of the world as we know it.<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_5');\" onkeypress=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_5');\" ><sup id=\"footnote_plugin_tooltip_62150_1_5\" class=\"footnote_plugin_tooltip_text\">[5]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_62150_1_5\" class=\"footnote_tooltip\">Jorge Cascante, in Una habitaci\u00f3n propia (A Room of One&#8217;s Own), one of the stories from his book Una ciudad entera ba\u00f1ada en sangre humana (A Whole City Bathed in Human Blood), Blackie Books,&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_5');\">Continue reading<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_62150_1_5').tooltip({ tip: '#footnote_plugin_tooltip_text_62150_1_5', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p>\n<p style=\"text-align: center;\">&#8220;Come to our village and play with us<br \/>\nPlay with squirrels, play with bears.<br \/>\nCome, we\u2019re waiting for you, we\u2019ll have lots of fun.<br \/>\nWe\u2019ll play at night, we\u2019ll play during the day.<br \/>\nUoooooooo uoooooooo<br \/>\nWe\u2019re your friends, and we\u2019ll go out with you<br \/>\nAnd show you the forests and the rivers.<br \/>\nWe\u2019ll have lots of adventures,<br \/>\nLots of fun and lots of mischief.<br \/>\nUooooooo, Uooooooo<br \/>\nYeah, yeah,<br \/>\nYou will stay in our village.&#8221;<\/p>\n<p>\u201cYou will stay in the village,\u201d says the menacing song<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_6');\" onkeypress=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_6');\" ><sup id=\"footnote_plugin_tooltip_62150_1_6\" class=\"footnote_plugin_tooltip_text\">[6]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_62150_1_6\" class=\"footnote_tooltip\">The music for this series was composed by Akiko Kosaka, and was highly praised by the public and critics. Emilio Aragon was in charge of writing the lyrics in Spanish, which were performed by him and&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_62150_1('footnote_plugin_reference_62150_1_6');\">Continue reading<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_62150_1_6').tooltip({ tip: '#footnote_plugin_tooltip_text_62150_1_6', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> in Spanish in <em>La Aldea del Arce<\/em>. Faced with otherness, there is the possibility of a revenge fantasy of these cute objects against us. Which brings me back to the idea of \u200b\u200ban army of cute identities, operating with cuteness, which gives rise to <em>parrhesia<\/em>. Like a Trojan horse let loose in a world that has not let us speak freely and that has treated us with paternalism.<\/p>\n<p>I had something in mind when reflecting on cuteness, man on hair, the community and fandom, and that is, Furries. I recommend the article <em><a href=\"https:\/\/a-desk.org\/magazine\/enjoy-this-leak-w-gay-furries-pwn-the-government\/\" target=\"_blank\" rel=\"noopener\">\u201cENJOY THIS LEAK &gt;W&lt; GAY FURRIES PWN THE GOVERNMENT,\u201d Queer Furry Hacktivism and the virtual rebellion for LGBTIQ+ rights\u201d<\/a><\/em>, by \u00a5\u20ac$Si PERSE, published in this very magazine.<\/p>\n<p class=\"p1\"><strong>Extra bonus<\/strong><br \/>\n<b>AI and <em>cuteness<\/em><br \/>\n<\/b>When we talk about a revenge fantasy it reminds me of our attitude today towards AI; personified and at the same time less independent than we imagine. When we started to research the world of generative AI we soon realized the cultural and \u201cethical\u201d limitations that influence the programming of these technologies. Most generative AI programs do not allow us to create content considered \u201coffensive,\u201d such as \u201ccute anthropomorphic figure of a Sylvanian Family evil figure.\u201d In this case, \u201cevil\u201d was a problem while \u201cweapon\u201d was acceptable.<\/p>\n<p>On the other hand, apart from the biases within the education of AI and its lactating state, the interstices, doubts and design flaws become charming details that mark the aesthetics of the first dawn of the use of generative AI, revealing its own character, when it still seems to want to reveal itself to our language in order to find those fissures that lead us to possible worlds such as Lovecraftian universes, quantum promises, and <em>hyperstitious<\/em> doors.<\/p>\n<div id=\"attachment_62144\" style=\"width: 710px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-62144\" decoding=\"async\" class=\"wp-image-62144 size-full\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2024\/11\/Lo-Cute-y-melenas-sobre-pelo-Detalle-video-copia-e1732463552337.jpg\" alt=\"\" width=\"700\" height=\"414\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2024\/11\/Lo-Cute-y-melenas-sobre-pelo-Detalle-video-copia-e1732463552337.jpg 700w, https:\/\/a-desk.org\/wp-content\/uploads\/2024\/11\/Lo-Cute-y-melenas-sobre-pelo-Detalle-video-copia-e1732463552337-595x352.jpg 595w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-62144\" class=\"wp-caption-text\">Video still &#8220;Radical Cuteness&#8221; detail, by Momu &amp; No Es<\/p><\/div>\n<p><strong>Colophon<br \/>\n<\/strong>The other day, coming home at night, I saw a man wearing a short skirt over his clothes and a LED crown with big cat ears.<\/p>\n<p><strong>Who doesn&#8217;t want to be cute today?<\/strong><br \/>\n<strong>\u2267\u25e0\u25e1\u25e0\u2266\u270c<\/strong><\/p>\n<p class=\"p1\">Luc\u00eda Momu<\/p>\n<p>(Featured image: <em>Mane on hair and vice-versa<\/em>, Momu &amp; No Es)<\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_62150_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_62150_1();\">[<a id=\"footnote_reference_container_collapse_button_62150_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_62150_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_62150_1('footnote_plugin_tooltip_62150_1_1');\"><a id=\"footnote_plugin_reference_62150_1_1\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>1<\/a><\/th> <td class=\"footnote_plugin_text\">Kawaii. Japanese use cuteness in a wide variety of instances and situations where, in other cultures, it might be considered incongruously childish or frivolous (for example, in government publications, public service announcements, business settings, military advertising, and on public transportation, among others). Source: Wikipedia<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_62150_1('footnote_plugin_tooltip_62150_1_2');\"><a id=\"footnote_plugin_reference_62150_1_2\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>2<\/a><\/th> <td class=\"footnote_plugin_text\">For example, Gurokawa (\u30b0\u30ed\u30ab\u30ef), known as &#8220;Creepy Cute&#8221; outside of Japan, is a Japanese aesthetic characterized by a juxtaposition of Kawaii imagery with grotesque elements and morbid humor from traditional horror. Source: Fandom Wiki<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_62150_1('footnote_plugin_tooltip_62150_1_3');\"><a id=\"footnote_plugin_reference_62150_1_3\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>3<\/a><\/th> <td class=\"footnote_plugin_text\">May, Simon: <em>El poder del lo cuqui<\/em> <em>(The Power of Cuteness)<\/em>, Alpha Decay 2019<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_62150_1('footnote_plugin_tooltip_62150_1_4');\"><a id=\"footnote_plugin_reference_62150_1_4\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>4<\/a><\/th> <td class=\"footnote_plugin_text\">Amy Ireland &amp; Maya B. Kronic, <em>Cute Accelerationism<\/em>, Urbanomic, 2024.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_62150_1('footnote_plugin_tooltip_62150_1_5');\"><a id=\"footnote_plugin_reference_62150_1_5\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>5<\/a><\/th> <td class=\"footnote_plugin_text\">Jorge Cascante, in <em>Una habitaci\u00f3n propia (A Room of One&#8217;s Own),<\/em> one of the stories from his book <em>Una ciudad entera ba\u00f1ada en sangre humana<\/em> <em>(A Whole City Bathed in Human Blood)<\/em>, Blackie Books, 2022, talks about a man\u2019s flirtation with the <em>Sylvanian Family<\/em> and their potential to end life on earth.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_62150_1('footnote_plugin_tooltip_62150_1_6');\"><a id=\"footnote_plugin_reference_62150_1_6\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>6<\/a><\/th> <td class=\"footnote_plugin_text\">The music for this series was composed by Akiko Kosaka, and was highly praised by the public and critics. Emilio Aragon was in charge of writing the lyrics in Spanish, which were performed by him and Rita Irasema.<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_62150_1() { jQuery('#footnote_references_container_62150_1').show(); jQuery('#footnote_reference_container_collapse_button_62150_1').text('\u2212'); } function footnote_collapse_reference_container_62150_1() { jQuery('#footnote_references_container_62150_1').hide(); jQuery('#footnote_reference_container_collapse_button_62150_1').text('+'); } function footnote_expand_collapse_reference_container_62150_1() { if (jQuery('#footnote_references_container_62150_1').is(':hidden')) { footnote_expand_reference_container_62150_1(); } else { footnote_collapse_reference_container_62150_1(); } } function footnote_moveToReference_62150_1(p_str_TargetID) { footnote_expand_reference_container_62150_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_62150_1(p_str_TargetID) { footnote_expand_reference_container_62150_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>1. Cute Being cute, in our case, became a shield against sexualization within the patriarchal environment in which we began to be Momu &amp; No Es. A kind of &#8220;cute&#8230;<\/p>\n","protected":false},"author":2893,"featured_media":62117,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6988],"tags":[],"coauthors":[6998],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mane on hair<\/title>\n<meta name=\"description\" content=\"Cuteness and mane on hair by Momu &amp; No Es dentro del mes dedicado a radical cuteness y Mar\u00eda Munoz como editora invitada\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/en\/magazine\/lo-cute-y-melenas-sobre-pelo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mane on hair\" \/>\n<meta property=\"og:description\" content=\"Cuteness and mane on hair by Momu &amp; 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