{"id":62843,"date":"2024-12-30T07:30:36","date_gmt":"2024-12-30T06:30:36","guid":{"rendered":"https:\/\/a-desk.org\/?p=62843"},"modified":"2024-12-24T11:11:36","modified_gmt":"2024-12-24T10:11:36","slug":"redeeming-metaphors","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/redeeming-metaphors\/","title":{"rendered":"Redeeming Metaphors"},"content":{"rendered":"

To some extent, talking about metaphors forces us to engage in iconoclasm, to bury language like the \u00f1and\u00fa<\/em>, not out of fear but to dig up the ground in search of the everyday and wormy meaning of the rhetoric of life. To talk about metaphor is a way of evoking the discussion of the intrinsic nature of our actions, a process of the recognition of micro-violence expressed in actions, language, and images.<\/p>\n

Redeeming Metaphors<\/em> was a bit of an excuse to reflect on the boundaries, the edges and the trenches of emotions, a proposal based on investigating beyond the traditional conventions that give rhetorical figures, usually limited to the linguistic sphere, a fundamental role in politics and social dynamics.<\/p>\n

VIDEO: Lang, Silvio. Pasadas de sexo y revoluci\u00f3n<\/em> (Sex and Revolution Actions), Performance Record, 2018<\/strong><\/a><\/p>\n

In Steal, Depersonalize, Vanish, Live<\/em><\/a>, Rosana Simonassi explores metaphor as a means of creating hierarchies between originals and copies, essence and appearance. She proposes depersonalizing and emancipating speech, understanding the relationship between identity, language and power, pointing out how the legitimacy of our full name and dual structures perpetuate the hierarchy of dependence. Emancipation is built on our ideas, like an ouroboros<\/em> of collective fragments where being a metaphor<\/em> implies accepting constant transformation.<\/p>\n

Meanwhile, Nerela Catania\u2019s On Violence and Liberation<\/em><\/a> analyzes how Effy Beth\u2019s legacy challenged established meanings, decentering the linguistic complexity of gender violence, social inequalities and oppression, linked as they are to the symbolism of desire, pleasure and punitive eroticism.<\/p>\n

\"Un<\/a>

Subiela, Eliseo. Los<\/em> Hu\u00e9spedes<\/em> (The Guests). From the series \u201cHu\u00e9spedes\u201d.<\/em> Courtesy of Galer\u00eda Yunta.]<\/p><\/div>\n

In Pride and guarangadas<\/em><\/a>,<\/em> M.S. Dansey explores the tension between the English heritage and the Creole roots of her family. She reveals how rigid British decorum coexisted with the most authentic expressions of the Chaco<\/em>. Through anecdotes and personal experiences, she questions cultural symbiosis and language as a marker of identity,1 and she reflects on the emotional networks that transcend family, reconciling tradition and freedom.<\/p>\n

What Metaphors Can We Live With?<\/em><\/a> by Silvio Lang, through his personal diagnosis of HIV, takes up the question of the war-like and deathly metaphors that surround the disease, perpetuating stigma and violence. He reconstructs how his encounters in activist groups such as Nexo reconfigured his vision of HIV, transforming the diagnosis into an opportunity for resistance and self-knowledge. The legacy of the texts read by the drift of the diagnosis lies in the creation of a space of awareness and solidarity, where dominant narratives are questioned and a new way of living with the virus is proposed, one based on vulnerability and interdependence.<\/p>\n

Redeeming Metaphor c<\/em>an be a process of reconfiguration, a challenge to the narratives that limit us, an opportunity to rethink and transform the power structures that shape us. The legacy of the texts is one that invites us to open new spaces of consciousness, to reflect on the intrinsic nature of our actions and to imagine a future where metaphor is recognized as an instrument of resistance, transformation and liberation.<\/p>\n

“Metaphor is probably the most fertile power we possess. But it cannot be left to its own devices; it must be brought under our control” [1]<\/sup><\/a>Ortega y Gasset, Jos\u00e9. La rebeli\u00f3n de las masas<\/em>. 1929.<\/span><\/span>