{"id":7215,"date":"2013-01-03T03:05:59","date_gmt":"2013-01-03T03:05:59","guid":{"rendered":"http:\/\/a-desk.org\/2013\/01\/03\/rome-and-its-art-or-what-the\/"},"modified":"2013-01-03T03:05:59","modified_gmt":"2013-01-03T03:05:59","slug":"rome-and-its-art-or-what-the","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/","title":{"rendered":"Rome and its art, or what the streets have to offer"},"content":{"rendered":"

\"a)To talk of Rome presupposes introducing an endless number of images. We\u2019ll all think of our own, but no doubt we\u2019d coincide in more than one: visions of another time by way of the frescoes housed in the Sistine Chapel, the unbeatable instant created by Michelangelo, ruins that attest to what could have been in times gone by, from the Coliseum or the Theatre of Marcellus, to any remote corner of the Forums. Others, made mythical through the actions of cinematography, would take us to the Trevi Fountain and the exuberant Anita Ekberg of La Dolce Vita<\/em>. We could go on and on with a never-ending list. We might even agree on personal memories, like that bar in the Trastevere where the Negroni is impeccable, or that hidden away caf\u00e9 close to the Piazza del Fico.<\/p>\n

One asks, will Rome continue to be the eternal city? <\/p>\n

Rome stirs passions. Its surprising capacity for hospitality and mystery, its way of spontaneously dazzling the stroller. Maybe this is one of its major charms, being able to wander, and just when you think you are lost, finding your way. So it stands in honour of its history, with its peerless eclecticism, from the glory and the decadence of the Roman Empire until today. And it\u2019s in this last decadence that I stop and pause. <\/p>\n

Maybe I don\u00b4t just conceive of wandering. At one moment or another I decide to abandon the narrow streets, bars and cemeteries (literally), to visit some of the temples of contemporary art, lets say, also museums. And even knowing that I might be disappointed, I\u2019m driven by the idea of finding a Kentridge. It takes a lot to reach the MAXXI<\/a>, it\u2019s badly communicated and off the beaten track. Though, to put it bluntly, the space doesn\u00b4t help. I still wonder, does anyone think that this space was designed to be a museum? It is one of the many architectural examples that make it possible to question the basic principles of architecture and even of art, its always worth bearing in mind nulla aesthetica sine ethica.<\/em> However, I enter, and find myself going up and down bridges and stairs. I arrive. Vertical thinking<\/em>: could by what I feel but it is the title of the exhibition, the merit isn\u00b4t mine. The piece Preparing the flute<\/em> greets us in the form of a miniature theatre. The installation manages to unite the multiple languages that it employs (music, dance, film, theatre, drawing\u2026) though it doesn\u00b4t manage to house projections in the space in the way it usually does. <\/p>\n

\"b)Kentridge knows how to wrap the spectator in this atmosphere of nineteenth century fantasy; his scenes drift between Chinese shadows and series of figures that merge with the oneiric. I\u2019d guarantee that all of us who were able to attend The refusal of time<\/em> in Kassel retain this sort of memory: standing at the end of one of the station buildings, in the darkness but not alone, accompanied by the figurations that appeared on the wall. In the rooms of the MAXXI one discovers a variation of the piece. It is built out of the encounters that he had with the scientist Peter Galison, the musician Philip Miller and Catherine Meyburgh. This time the shadows don\u00b4t surround you, it functions in the form of a multiple projection. In the same space we also find the sculptural piece that ends up reminding us of one of the machines invented by Leonardo Da Vinci. The exhibition ends with a few objects used during the preparation of the piece and with other such fragments from previous pieces, be they audio-visuals or in the form of documentation. The pieces each have their own strength, each one of the works that configure the exhibition emanate this poetics of the trace, making it possible to traverse the exigency of the gaze that creates them, dialoguing with the spectator through the category of the fragment. There\u2019s no lack of material, nor does one miss finding what one experienced in Documenta (13). It is more the question of selection, in the order of the discourse as much as in the selection of the elements. <\/p>\n

I go back downstairs and very rapidly, scan the exhibition about Le Corbusier. Without a doubt it is the very space that doesn\u00b4t allow a three-sided play off (space-exhibition proposal-spectator). <\/p>\n

On another stroll, I roam around the perimeter of the Ara Pacis, the grand altar to peace. So I end up discovering the small micro-installations that a street artist has spontaneously placed: In hoc signo vinces<\/em>. They all catch my attention and they all have something to offer. Ecco!<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

To talk of Rome presupposes introducing an endless number of images. We\u2019ll all think of our own, but no doubt we\u2019d coincide in more than one: visions of another time…<\/p>\n","protected":false},"author":1264,"featured_media":7184,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6783],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nRome and its art, or what the streets have to offer – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rome and its art, or what the streets have to offer – A*Desk\" \/>\n<meta property=\"og:description\" content=\"To talk of Rome presupposes introducing an endless number of images. We\u2019ll all think of our own, but no doubt we\u2019d coincide in more than one: visions of another time...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2013-01-03T03:05:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/The_refusal_of_time_detalle_.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"377\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Imma Prieto\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Imma Prieto\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/\",\"url\":\"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/\",\"name\":\"Rome and its art, or what the streets have to offer – A*Desk\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/The_refusal_of_time_detalle_.jpg\",\"datePublished\":\"2013-01-03T03:05:59+00:00\",\"dateModified\":\"2013-01-03T03:05:59+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/29634bcffcd4ff26cb38f4b912fa7ac9\"},\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/#primaryimage\",\"url\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/The_refusal_of_time_detalle_.jpg\",\"contentUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/The_refusal_of_time_detalle_.jpg\",\"width\":670,\"height\":377,\"caption\":\"a) The refusal of time (detalle). William Kentridge\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/a-desk.org\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Rome and its art, or what the streets have to offer\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/a-desk.org\/#website\",\"url\":\"https:\/\/a-desk.org\/\",\"name\":\"A*Desk\",\"description\":\"A*Desk Critical Thinking\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/a-desk.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/29634bcffcd4ff26cb38f4b912fa7ac9\",\"name\":\"Imma Prieto\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/image\/fa7981506513b496b7813a191aad0133\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/fffeaae2d9e56f1313bc7624720ff9c7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/fffeaae2d9e56f1313bc7624720ff9c7?s=96&d=mm&r=g\",\"caption\":\"Imma Prieto\"},\"description\":\"Imma Prieto es cr\u00edtica de arte, comisaria independiente y profesora de Arte Contempor\u00e1neo y Nuevos Medios en ERAM. Lleva a\u00f1os reflexionando sobre los distintos contextos que caracterizan nuestra contemporaneidad. Cr\u00edtica, comisariado y docencia le permiten establecer di\u00e1logos desde diferentes perspectivas y objetivos, buscando puentes entre unos y otros.\",\"url\":\"https:\/\/a-desk.org\/en\/autor\/inma_prieto\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Rome and its art, or what the streets have to offer – A*Desk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/","og_locale":"en_US","og_type":"article","og_title":"Rome and its art, or what the streets have to offer – A*Desk","og_description":"To talk of Rome presupposes introducing an endless number of images. We\u2019ll all think of our own, but no doubt we\u2019d coincide in more than one: visions of another time...","og_url":"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/","og_site_name":"A*Desk","article_published_time":"2013-01-03T03:05:59+00:00","og_image":[{"width":670,"height":377,"url":"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/The_refusal_of_time_detalle_.jpg","type":"image\/jpeg"}],"author":"Imma Prieto","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Imma Prieto","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/","url":"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/","name":"Rome and its art, or what the streets have to offer – A*Desk","isPartOf":{"@id":"https:\/\/a-desk.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/#primaryimage"},"image":{"@id":"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/#primaryimage"},"thumbnailUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/The_refusal_of_time_detalle_.jpg","datePublished":"2013-01-03T03:05:59+00:00","dateModified":"2013-01-03T03:05:59+00:00","author":{"@id":"https:\/\/a-desk.org\/#\/schema\/person\/29634bcffcd4ff26cb38f4b912fa7ac9"},"breadcrumb":{"@id":"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/#primaryimage","url":"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/The_refusal_of_time_detalle_.jpg","contentUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/01\/The_refusal_of_time_detalle_.jpg","width":670,"height":377,"caption":"a) The refusal of time (detalle). William Kentridge"},{"@type":"BreadcrumbList","@id":"https:\/\/a-desk.org\/en\/magazine\/rome-and-its-art-or-what-the\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/a-desk.org\/en\/"},{"@type":"ListItem","position":2,"name":"Rome and its art, or what the streets have to offer"}]},{"@type":"WebSite","@id":"https:\/\/a-desk.org\/#website","url":"https:\/\/a-desk.org\/","name":"A*Desk","description":"A*Desk Critical Thinking","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/a-desk.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/a-desk.org\/#\/schema\/person\/29634bcffcd4ff26cb38f4b912fa7ac9","name":"Imma Prieto","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/a-desk.org\/#\/schema\/person\/image\/fa7981506513b496b7813a191aad0133","url":"https:\/\/secure.gravatar.com\/avatar\/fffeaae2d9e56f1313bc7624720ff9c7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fffeaae2d9e56f1313bc7624720ff9c7?s=96&d=mm&r=g","caption":"Imma Prieto"},"description":"Imma Prieto es cr\u00edtica de arte, comisaria independiente y profesora de Arte Contempor\u00e1neo y Nuevos Medios en ERAM. Lleva a\u00f1os reflexionando sobre los distintos contextos que caracterizan nuestra contemporaneidad. Cr\u00edtica, comisariado y docencia le permiten establecer di\u00e1logos desde diferentes perspectivas y objetivos, buscando puentes entre unos y otros.","url":"https:\/\/a-desk.org\/en\/autor\/inma_prieto\/"}]}},"_links":{"self":[{"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/posts\/7215"}],"collection":[{"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/users\/1264"}],"replies":[{"embeddable":true,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/comments?post=7215"}],"version-history":[{"count":0,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/posts\/7215\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/media\/7184"}],"wp:attachment":[{"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/media?parent=7215"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/categories?post=7215"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/tags?post=7215"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/a-desk.org\/en\/wp-json\/wp\/v2\/coauthors?post=7215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}