“Les ma\u00eetres du d\u00e9sordre” <\/a> was being exhibited, curated by Jean de Loisy, president of the Palais de Tokyo in Paris. Articulated in three large sections \u201cThe imperfect order\u201d, \u201cThe power of disorder\u201d and \u201cThe catharsis\u201d, the exhibition analyses the notion of disorder through different modes of negotiating with entities of power. Negotiation, dialogue, mediation, that gives way to subversion, obscenity, the bacchanal, the fiesta, and finally the new order. The question of mediation continued in time, shifting from the exhibition to the events that followed. <\/p>\nIn the space, pieces from ethnographic, anthropological and private collections, such as; masks, costumes, amulets, batons and other shamanic panoply, sit alongside contemporary pieces of diverse formats by Thomas Hirschhorn; Joseph Beuys, explaining paintings to a dead hare; Anna Halprin with “Dancing my cancer”; Paul McCarthy with “Painter”; Oleg Kulik restrained like a “mad dog”; Anette Messaguer; Esther Ferrer; Antoni T\u00e0pies; Sergio Prego; Jacques Liz\u00e8nne; Stephen Dean; Jonathan Messe, amongst others, as well as other interviews, videos and documentary material.<\/p>\n
Artist-mediators, in their practice, record like ethnographers, activating as a sensor for the production of knowledge and generating \u201cmeaning\u201d about their surroundings. The performative nature of the narratives there seemed to be a disruptive gesture in itself, after a long exhausting period, the need for change or a lack of understanding of the power that it is dialoguing with. The eerie ambiance and my sensation on leaving, was like that of coming across an explosion and falling directly into the depths. “Disorder”, through dissimilar pathways of negotiation, leads us to chaos, from there to catharsis and from there, to the new order. The question of chaos and order, beyond the rituals and shamans, is also a political question. It can annihilate, but it can also save. Everything sounded like a warning, about the terrain of the known and the unknown \u2013the new paradigm of social order into which we are headed\u2013, the visible \u2013the obscene aspect of the exhibition, the control over all of us\u2013 and the invisible \u2013the powers of the collective -. The reading was an invitation to break ranks. <\/p>\n
Back in Barcelona, through a discussion group, the structure of “Les ma\u00eetres du d\u00e9sordre” shifted from one moment to another. The first conversation, inserted into \u2018L\u2019ordre Imparfait\u2019, bringing forward the impossibility of doing and saying that lead on to literality, narrativity, the dilution of the discourse and finally, to the body and its ultimate physicality. Later Dora Garc\u00eda passed through \u2018El Dominio Del Desorden\u2019 confronting, ethical conventions through art, placing herself against the \u201cexcellence\u201d of thought. Leaving ethics and morality hanging in the balance. Then Valent\u00edn Roma left us the \u2018Palabras de Iniciados\u2019, roaming through T\u00e0pies Contra T\u00e0pies, in an act that is in turn complex and not complex, a reading of T\u00e0pies and the art that ended up in dimensions closer to the body. Converting mediation into a state of the question and not the question in itself. And finally Oscar Abril indicated the road to \u2018Catharsis\u2019 making it clear that the paradigm of modern society will only modify, when DIY becomes DIWO (Do it with others).<\/p>\n
Factors in common: the performativity of the discourses, the events, the displacement of the gaze, and the questioning of truth. They all talk about the moment when the mediator aims to revert that of \u201cbeing quiet, seated, listening and concentrating, to later applaud and leave\u201d. It\u2019s no coincidence. <\/p>\n
Mediation passes through the arena of the collective when it is a process that is continually emitted and prone to adaptation. Already it is a matter within the collective domain. It is therefore articulated through a body with a voice, in the name of its discipline and others. The mediators each time reconfiguring according to their strategy. The mediation finally becomes a dynamic and performative process, acquiring in its role a political dimension, in relation to the rest. <\/p>\n
I imagine that maybe a state of crisis, like the one we are currently experiencing, will be followed by a moment of catharsis or various, that will resituate a totally new paradigm. Until this happens it\u2019s worth asking: where, how and through whom, or with what, will the catharsis of this crisis occur? Will it happen through social radicalism? Is the art world well placed as a political subject to be able to give an effective response to this new paradigm? What is the role of the mediators here?<\/p>\n
If culture is the most revolutionary option in the long term, as Montse Badia pointed out not so long ago, we each need from our own position, to mediate, in order to reformat the surfaces where the values that no longer serve us have been imposed and recuperate the essential: in the first instance the body. <\/p>\n
Without leaving the stairway I think: the “Treppenwitz” moment seems to happen a bit like mediation; in the stairway, after “such and such”, or in the company “of”, endeavouring to recreate the situation so as to be able to in the end come up with a retort. <\/p>\n","protected":false},"excerpt":{"rendered":"
The German term “Treppenwitz”, describes the act of thinking of a retort to a question just that bit too late that usually occurs in unexpected places. I went to Madrid…<\/p>\n","protected":false},"author":1292,"featured_media":7789,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6783],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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<\/p>\n