{"id":8443,"date":"2013-12-14T18:03:20","date_gmt":"2013-12-14T18:03:20","guid":{"rendered":"http:\/\/a-desk.org\/2013\/12\/14\/the-hangar-bicocca-in-milan\/"},"modified":"2013-12-14T18:03:20","modified_gmt":"2013-12-14T18:03:20","slug":"the-hangar-bicocca-in-milan","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/the-hangar-bicocca-in-milan\/","title":{"rendered":"The Hangar Bicocca in Milan, Vicente Todol\u00ed and the satanic feminist gospel of Ragnar Kjartansson"},"content":{"rendered":"<p><img decoding=\"async\" class=\" alignleft size-full wp-image-8384\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2013\/11\/04_GO_0536.jpg\" alt=\"04_GO_0536.jpg\" align=\"left\" width=\"670\" height=\"265\" \/><br \/>\n15.000 square metres of exhibition space constitute the old industrial space, the <a href=\"http:\/\/www.hangarbicocca.org\">Hangar Biccoca<\/a> in Milan, one of the largest in Europe. Over the winter two important exhibitions, in addition to the permanent installation by Anselm Kiefer, <em>The Seven Heavenly Palaces<\/em>, transport the spectator to a vision of the sublime; be it for the monumentality of the seven site-specific towers or its sensationalism in reflecting on the interpretation, representation and projection of time, space and symbolism.  <\/p>\n<p>Vicente Todol\u00ed is the new Art Advisor for Hangar Bicocca, and he inaugurates its programme with a conscious choice of the two temporary artists: Ragnar Kjartansson and Dieter Roth. Both are united by; personal ties, poetic inspirations, multidisciplinary attitudes, and an ambition for the total work of art.  During 2014, Micol Assa\u00ebl, Cildo Meireles, Pedro Paiva-Jo\u00e2o Maria Gusm\u00e2o, Joan Jonas ad Juan Mu\u00f1oz, will be the ones exhibiting in the Milanese Hangar.<\/p>\n<p><em>Islands<\/em> by Dieter Roth opened recently and in the \u201cShed\u201d space dedicated to younger artists, we find  <em>The Visitors<\/em>, by the Icelandic artist, musician and performer, Ragnar Kjartansson. As spectators we are the honoured \u201cvisitors\u201d, welcomed by a visual, musical and emotive installation, laid out in nine video screens on a scale of 1:1. Ragnar himself, along with his friends and musicians from the indie scene in Iceland, -some components of M\u00f9m and Sigur R\u00f3s-, play, for over an hour, each on a distinct instrument, the melody of the poem <em>Feminine Ways<\/em>,  written by the artist\u2019s ex-wife during their divorce. The title <em>The Visitors<\/em> is inspired by Abba\u2019s last album of the same name, a band that epitomised, according to Kjartansson, this melancholy of simply<em> cool<\/em> pop, in which they already exorcised isolation and sentimental breakdowns.<\/p>\n<p>The soloists execute a polyphonic concert in a bohemian mansion in Rokeby (New York), and under this premise I deduce that every space I visit will be a totally decadent, theatrical scenario. Each performer will perform for me from a designated room: the bedroom, the library, the kitchen and even from the bath, -where Kjartansson plays the guitar-. And only I, in my condition as a visitor, will be able to listen to all nine voices at the same time; this is my privilege. The presence of the musicians, portrayed in their intimacy and solitude, turns into absence when the function is over, they retire and the spaces are finally shown to us empty, in the face of our nostalgic gaze.  Here the aesthetic distance becomes an ethical sharing out. What is called upon here is the dualism destined to discern between the inevitable individual solitude and a possibly choral collective.  And it proposes a sort of double game, as much in relation to the context and the emotions, as in the traditional connection between the<em> live<\/em> performance and its permanence in typical video reproductions. <\/p>\n<p>The performance, recorded in one single session, without any repeats or interruptions, is controlled to the finest detail, while still managing to maintain the freshness of improvisation. The result is a cinematographic  <em>tableau vivant<\/em> made up of poetry and music, a hymn to the  \u201cfeminine side\u201d, to a reflection on feelings. The identification of art-life and the figure of the creative genius abound amidst the Icelandic romanticism that <em>The Visitors<\/em>, exudes, with its contrasting mixture of melancholy and irony, which through repetition and duration establishes a whispered dialogue between the music and the space. <\/p>\n<p>Kjartansson is this inclusion of the whole spectrum of the arts upon which the performative exercise is based; with his own style of recitation, he combines reality and fiction, Icelandic traditions and mythologies of contemporary culture, with a hypnotic, aesthetic effect, almost an ode to boredom, that hangs by the thread of mysticism and parody.  From his beginnings in the electronic-rock band <em>Trabant<\/em>, musical performance in his work makes a collective pathos possible, Dionysian and paradoxical. Music is the metaphor for focussing on oneself and at the same of concentrating on others. Almost a perfect society, one could say.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>15.000 square metres of exhibition space constitute the old industrial space, the Hangar Biccoca in Milan, one of the largest in Europe. Over the winter two important exhibitions, in addition&#8230;<\/p>\n","protected":false},"author":1304,"featured_media":8384,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6783],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Hangar Bicocca in Milan, Vicente Todol\u00ed and the satanic feminist gospel of Ragnar Kjartansson &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/en\/magazine\/the-hangar-bicocca-in-milan\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Hangar Bicocca in Milan, Vicente Todol\u00ed and the satanic feminist gospel of Ragnar Kjartansson &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"15.000 square metres of exhibition space constitute the old industrial space, the Hangar Biccoca in Milan, one of the largest in Europe. 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