{"id":9171,"date":"2015-03-31T06:41:00","date_gmt":"2015-03-31T06:41:00","guid":{"rendered":"http:\/\/a-desk.org\/2015\/03\/31\/march-the-sonorous-month\/"},"modified":"2017-09-25T18:32:29","modified_gmt":"2017-09-25T18:32:29","slug":"march-the-sonorous-month","status":"publish","type":"post","link":"https:\/\/a-desk.org\/en\/magazine\/march-the-sonorous-month\/","title":{"rendered":"March. The sonorous month"},"content":{"rendered":"

March has been a very sonorous month. We highlight as the most impertinent noise, that of interference. An interference stemming from the din of certain upholding structures in a public museum that resonate with censorship. The stridency originates in certain offices, where decisions are taken without any consideration of the development of a project with an argument, for which codes are needed based on transparency and liberty. We\u2019re still stunned by the nonsense that has taken place within the (stagnant, for what can be seen) confines of MACBA. And from the other extreme of the bureaucratic paradigm, the communiqu\u00e9 from Zemos98<\/a> announcing the news that this year will be its, last leaves us saddened. And in silence. The sensation of being pounded by cultural politics \u2013 state or regional, public or private, institutional or independent- that lurches along, is once again, deafening. But despite all this, with the five articles programmed about and within the debate-or verification- of the close ties between sound and visual art, music and image, that have tackled the subject from different angles and formats; along with two \u201cextra\u201d texts, March has been an intense month. <\/p>\n

Gl\u00f2ria Guso inaugurated the month with an interview with Richard M\u00e8meteau<\/a>, in which they discussed the relations between music (pop) and contemporary art, about strategies of influence, relations, links or dependencies, amongst many other things. Sonia Fern\u00e1ndez Pan opened the second week with a text<\/a> in which she invited us to ask ourselves about the viability of asking questions through essentially different codes, about the need (or pertinence) of ambits; in short, about \u201chow to listen through discourse without subordinating sound to this very discourse\u201d. They were followed by a critique by Daniela Hermosilla<\/a>, dfrom Berlin, in which she appealed to the capacity for radio as a discourse in itself, stringing together an article that informed us on the one hand about radio art, its origins and evolution, and on the other, the project Zonoff, located in the German capital, with its artistic practices and ways of doing things, that are almost political declarations in themselves. \u00c1ngel Calvo Ulloa wrote a critique of the exhibition “Punk. Its traces in contemporary art”<\/a>, curated by David G. Torres in the CA2M, high fidelity and full of attitude<\/em>. What\u2019s more we asked David Armengol to carry out a tour of his record intimacy and he regaled us with a stroll between folk art and contemporary art <\/a> with a lot of rhythm. And as “bonus tracks”, Cecilia Martin signed a text about silence<\/a>, or those sounds that nobody hears but which are there, from the festival Sonic Acts, in Holland; and ; and Andrea Diaz Mattei wrote about Robert Cahen<\/a> his landscapes and mundane sounds. <\/p>\n

Interview by Gl\u00f2ria Guso with Richard M\u00e8meteau: Jay-Z wins against Marina Abramovic<\/em><\/a><\/p>\n

How to listen through discourse?<\/em>, by Sonia Fern\u00e1ndez Pan<\/a><\/p>\n

May contain traces of\u2026 Angel Calvo Ulloa about “Punk: It’s traces in contemporary art”<\/a><\/p>\n

Back to the discourse of sound: the capacity of radio<\/em>, by Daniela Hermosilla<\/a><\/p>\n

Bard Attitude: Folk music and contemporary art<\/em>, by David Armengol<\/a><\/p>\n

The sound nobody hears<\/em>, by Cecilia Martin<\/a><\/p>\n

Landscapes and mundane sounds. In relation to Robert Cahen<\/em>, by Andrea D\u00edaz Mattei<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

March has been a very sonorous month. We highlight as the most impertinent noise, that of interference. An interference stemming from the din of certain upholding structures in a public…<\/p>\n","protected":false},"author":1241,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6783,5152],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nMarch. 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