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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.
At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.
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Daniela Berger Prado (Santiago, Chile) is a mother, curator and art historian. She has a degree in Art Theory and History from the University of Chile and a Master’s degree in Art Curatorship from the Royal College of Art in London. Her work crosses different aspects of research, curatorial practice and management in contemporary art. Some of her latest exhibition projects are: international “Raúl Ruiz, fantasmas arabescos” [Raúl Ruiz, arabesque ghosts] together with Francisca García at the CC Matta in Buenos Aires and “¿Qué sueñan los cocodrilos?” [What do crocodiles dream about?], at the Moderna Galerija in Ljubljana, Slovenia, together with Bojana Piskur, Shada Safadi and Riksa Afiaty and artists from the Golan Heights, West Papua, Palestine, Chile and Wallmapu.
"A desk is a dangerous place from which to watch the world" (John Le Carré)