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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated selflessly with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.
At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.
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A section is devoted to contemporary art and culture.
It has no order but urgency.
Through the speculative criticism, meaning, through the exploration of the questions rather than the formulation of answers, this exhibition, curated by Àngels Díaz Tena Miralda, investigates the possible archaeologies of…Read more
In the work of the duet Momu & No Es (Eva Noguera and Lucía Moreno) through the video art, video performance, installations and sculptures, merge the absurd with a criticism…Read more
The concept of scene comes from skene, that from the Greek could be translated for something, like, a shack: a fragile building that allowed the priests to change apparels for…Read more
Over the last years, various artistic institutions have been focused on the recovery of the works of artistic women of the first third of the 20th century. Such is the…Read more
It is usually easier to explain a story through a fiction narration endowing it with evidence and even ironies that are a criticism towards something or someone. Overflowing what we…Read more
Yesterday 23rdof January of 2019, Jonas Mekas embarked on his final trip. I believe that I am one of the last people to whom he granted an interview, since I…Read more
The new exhibit at Halfhouse, which is no longer placed in that idyllic environment but in another more manufacturing and connected to people, opens under no title or apparent need….Read more
Eli Cortiñas’ The Most Given of Givens (2016) opens with a film camera pointing towards the severed stone head of Lenin being lifted away by construction cranes. The source of…Read more
"A desk is a dangerous place from which to watch the world" (John Le Carré)