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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.
At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.
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A section is devoted to contemporary art and culture.
It has no order but urgency.
When the magnate William Randolph Hearst felt like taking a Segovian monastery to his Miami Beach mansion, he had no choice but to hire the services of Arthur Byne, an…Read more
Matters related to landscape have been widely described, discussed, and exhibited in Chile. In the nineteenth century, traveling European scientists, draftsmen, illustrators and artists explored our territory –and in some…Read more
Our horizon is defined by media landscapes. Natural landscapes (landscapes) were followed by urban landscapes (urbanscapes) and for decades it has been the media landscapes (mediascapes) that define and determine…Read more
During the press conference on the occasion of the 13th nomadic biennial Manifesta central exhibition’s last chapter opening —which this year is happening in France for the first time, specifically in…Read more
Dominated by women’s voices and queer perspectives, the 2020 edition of the Berlin Biennial devotes to the difficulties and triumphs of marginalized communities. The eleventh iteration of the biennial, entitled…Read more
The act of walking entered into artistic territory by spending soles for a Paris, the one of the twenties, with many corners to explore. Dadaist Machetes cleared paths, and later,…Read more
An exhibition as a story in three chapters. A narrative built in three scenes. A spatial arrangement of a sculptural installation thought, somehow, through the reading registers offered by a…Read more
That we live in an interconnected world has become clearer than ever during these months of 2020, which is not yet over. An interconnection that implies more mobility, more projection…Read more
"A desk is a dangerous place from which to watch the world" (John Le Carré)