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Spotlight

(Re)visiting Cinema as Public Space On Eli Cortiñas’ „Remixers Never Die“

Eli Cortiñas’ The Most Given of Givens (2016) opens with a film camera pointing towards the severed stone head of Lenin being lifted away by construction cranes. The source of...

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Magazine

Tiempo Contingencia (Time Contingency)

Mar Arza

On the Dialectics between Chronology and Heterochrony

Pol Capdevila

Artist’s Status

A*DESK
Estatus Artistas Tiempo Coreografía Comunidad/Ritual Piedras Revisando Archivo Globalidad crítica Nuevos misticismos Repetición Feminismos Antropoceno Archivo Ciudad Feminisms Antropocene Archive Estado de excepción Hortera Longevidad Silence Manel Clot "Must" events D for distribution Loop Talks 2017 Marginal DIY Sex Strange phenomena Artistic Research Curating Food Work Sharing the archive The Gif Globality and subject Globality and geography Artists' books Workshop Fear, control, security Body Domestica Failure Art criticism Trans' Narratives, display and textuality The institution reviewed Política, ocio, el arte y sus derivas The Biennale in layers Film-Art-Video. All together now! Timelines, historic markers The sonorous month Participation and (some of) the forms it takes How to explain Catalonia Distribution of contents
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