Search
To search for an exact match, type the word or phrase you want in quotation marks.
A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.
At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.
You can decide how much you want to bring to the project.
“The international week of electronic music and digital culture”. This is how the next edition of Sónar 2024 was presented at a press conference, which will take place in Barcelona between June 13 and 15, but which is increasingly spreading in the city and in the calendar “like a stain”, with a will as expansive as agglutinating. It is already announced as Sónar Week, with different activities and partners ranging from the Universitat Pompeu Fabra to the Casa Batlló or the Mies van der Rohe Pavilion. Sónar was born 31 years ago as a meeting of electronic music. Since then, its artistic and industrial growth has been unstoppable and it has established itself as an indisputable international reference for the city of Barcelona as well.
What will Sónar 2024 have in store for us? More than 300 activities including concerts, DJ sets, presentations, exhibitions, talks, workshops, films and meetings that will require a great ability to organize our agendas as well as the gift of ubiquity to move between Sónar by Day, Sónar by Night and Sónar +D. How to summarize this extensive program? Micro-scenes of dance music and pioneering figures of electronica with AI experts and innovators of digital and audiovisual culture.
The topic that will run through this edition is, especially in Sónar +D, artificial intelligence: its uses, risks, fears and the implications of its use as a fundamental tool in the creative and scientific fields.
We begin this previous tour highlighting the opening conference of Sónar +D, “Generating Panic?” by artists Nicole L’Huillier and Sacha Costanza-Chock on the fascination and uncertainties generated by AI applied to music and artistic practices. Is it possible to achieve a more inclusive technology, which is not built in a hierarchical way but includes diversity itself -in a very broad sense- from its beginnings? AI-generated fiction and critical thinking, the role of AI in fashion, immersive identities, generative AI, legal aspects and copyrights will be other topics to be discussed in this forum.
In this section it is worth mentioning the performances of Team Rolfes with Lil Mariko and Myriam Bleau & Nien Tzu Weng as well as the Project Area, increasingly expansive, to experience some proposals up close.
Sónar is all about music and dance. Dance among the audience and also, this year, dance and choreography on stage. At Sónar Day we will have to pay attention to Lee Gamble + Candela Capitán, Kiani del Valle, Blackchaine and Asian Doge Boys and, of course, also to all the musical proposals ranging from electronic dance, pop, rap and flamenco.
More highlights at Sónar Night, with electronic music references are Air, Jessie Ware and Vince Staples. Attention to the micro-scenes, with Tayhana (Club Latinx), the BLEX collective or Club Cringe. These are ultra-local but interconnected scenes, often the fruit of diasporas and very rich in influences.
The countdown begins in the calendar with a few days of intense and complex work of organization and coordination for this macro-event that has a great impact on the city. Three intense days of festival, 365 days in the international mental calendar.
"A desk is a dangerous place from which to watch the world" (John Le Carré)