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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

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Aimar Pérez Galí – Autor/a en A*Desk

Aimar Pérez Galí develops his artistic practice as a dancer, choreographer, researcher, pedagogue and writer. He graduated as a performer in contemporary dance from the Amsterdam School of the Arts and later studied the PEI at MACBA. Since 2024 he has been teaching composition at the Conservatori Superior de Dansa del Institut del Teatre. His work, which has been seen nationally and internationally, includes stage works such as Sudando el discurso: una crítica encuerpada (acquired by the Morera Museum in Llieda), The Touching Community or èpica, the film Touching Blues, publications such as Sudando el discurso, Lo tocante or Cuadernos sobre el tocar, written with Jaime Conde-Salazar with whom he shares the CondeGalí BL project, creating works aimed at school and family audiences such as DITDIT or Sujeto · Verbo · Predicado, and even applying the knowledge of DITDIT in the field of health with a group of users of ACE (Alzheimer Center Barcelona) thanks to the Campus Salud of the Castell de Peralada Foundation. He has collaborated with artists such as Xavier Le Roy, Dora García, C. Tangana, Maria Arnal & Marcel Bagès and Nicole Beutler. He has been studying piano for the last three years.

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"A desk is a dangerous place from which to watch the world" (John Le Carré)