A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

You can decide how much you want to bring to the project.

Blanca Pujals – Autor/a en A*Desk

Blanca Pujals is an architect, spatial researcher and critical writer. Her cross-disciplinary practice uses spatial research and critical analysis to engage with questions around geographies of power on bodies and territories, and geopolitical configurations of contemporary techno-scientific infrastructures. Her work encompasses film, architecture, lecturing, curatorial projects, teaching and critical writing.

Graduated in Architecture at the Barcelona School of Architecture, she completed her studies with a MA in Critical Theory and Museum Studies at the Independent Studies Program of MACBA Museum, tutored by the philosopher Paul B.Preciado, and a postgraduate degree from the Centre for Research Architecture (Visual Cultures Department) at Goldsmiths University of London, directed by Susan Schuppli and Eyal Weizman. She is currently developing her practice-led PhD in Art&Science, about the geopolitics and spatial articulations of Particle Physics’ Sensing Infrastructures, looking at fundamental physics laboratories such as CERN (The European Organization for Nuclear Research) and how they amplify material and political interactions.


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"A desk is a dangerous place from which to watch the world" (John Le Carré)