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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

You can decide how much you want to bring to the project.

Carolina Campos – Autor/a en A*Desk

Carolina Campos (Caxias do Sul – 1978)
Involved in different circuits of creation and research, she develops her practices between performance, writing and pedagogy. She is interested in methodological approaches that reflect collectivities and collaboration in artistic creation. He tries to inhabit a twilight zone where the passion for looking coexists with darkness. She currently investigates artistic accompaniment as a state of attention that opens up spaces for the imagination of worlds in relation and situated critical thinking. She is one of the closest collaborators to the development of Real Time Composition since 2012. This research, developed with Portuguese choreographer João Fiadeiro, through practice and the body, relates to philosophy, metaphysical speculation and neuroscience. In Brazil she worked with Lia Rodrigues Cia de Danzas between 2008 and 2011. She was artist-in-residence at La Caldera (2019), La Escocesa (2020 – 2022) and El Graner (2022).

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"A desk is a dangerous place from which to watch the world" (John Le Carré)