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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

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Iconoclasistas – Autor/a en A*Desk

Iconoclasistas
Duo formed by Julia Risler (Province of Córdoba, 1973) and Pablo Ares (Province of Buenos Aires, 1965). They develop projects combining graphic art, creative workshops and collective research.

In 2008 they began to hold collective mapping workshops and in 2013 they published a manual, where they share methodologies, resources and dynamics for their self-organization. Since 2017, they have provided training workshops in this type of tools and continue to develop workshops in situated research processes, many of them culminating in the creation of cartographic devices that synthesize that journey. They developed workshops in Latin America and Europe, and participated in exhibitions in museums in Argentina, Australia, Brazil, Canada, Chile, Ecuador, Spain, the United States, France, Holland, Lebanon, Mexico and Portugal, among others.

They were awarded the Curry Stone Design Prize (United States, 2017) and the BID12 prize in Graphic Design and Audiovisual Communication (Spain, 2012).

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"A desk is a dangerous place from which to watch the world" (John Le Carré)