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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

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Lorenzo Sandoval – Autor/a en A*Desk

Lorenzo Sandoval (Madrid, 1980) is as an artist, curator and filmmaker with base in Berlin. He produces spatial devices that allow different configurations. He works on divergent genealogies of the relationships between textile production, image distribution and computing. He has directed since 2015 ‘The Institute for Endotic Research’, a task he shares with Ben Busch since 2018. He was part of the Miracle Workers Collective for the Finnish Pavilion of the 57th Venice Biennale, 2019. In 2018, he started his current research project “Garganta/Brazo/Surco”, recently supported by TBA21, which as an output will have a film titled “That summer of 22”. The project is about the mining, construction and agro-industry extractivism in Campo de Cartagena that has led to the environmental crisis of Mar Menor, and the process of the transformation of the lagoon into a legal subject by the ILP Mar Menor initiative.

www.lorenzosandoval.net/
www.theinstituteforendoticresearch.org/

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"A desk is a dangerous place from which to watch the world" (John Le Carré)