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The Right Moment. David Horvitz and His Time Works
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Contemporary Art as a resource: curating a public archive. An interview with Sol Henaro
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Review: Cultural Anthropophagy. The 24th Bienal de Sao Paulo 1998
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Workshops. Before the gallery
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Reinforcing the community. Supercommunity and practices of reading around an art biennale
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Travel notes: about the 12th Havana Biennale
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The formalism of Lizzie Fitch & Ryan Trecartin
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Made in L.A. Hammer Museum, Los Angeles
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Ordenar la crítica. Take it or Leave It
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