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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.
At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.
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Documenta is undeniably an important date in the contemporary art calendar. What makes Documenta different from other proposals is, amongst other things, the pace of the work beforehand and the certainty that it is in the process of making history. Making history, almost nothing. This summer another edition. dOCUMENTA (13), with this spelling that forces us to break all orthographic rules when the name appears at the beginning of a sentence after a full stop.
Well, dOCUMENTA (13) does ask us to break a few rules. It also asks for a lot of time and long walks. It asks for a reconsideration of the referents that we use and if they really bear any correlation with what we are doing. At A*DESK we thought that something that asks for so much also needed the vision of many, it needed a polyhedral gaze where the tones, rhythms, objectives and approaches also stemmed from a desire to understand, analyse and be critical all at the same time.
At A*Magazine we present a special edition dedicated entirely to dOCUMENTA (13). From the moments beforehand, to direct encounters, while also looking for the distance that makes it possible to step back from the emotional to ask for a little more. Montse Badia, Juan Canela, Maite Garbayo, Javier Hontoria and Andreas M. Kaufmann draw us into one of the great moments of contemporary art.
"A desk is a dangerous place from which to watch the world" (John Le Carré)