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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.
At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.
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Antoni Tàpies, one of the great figures of the art world has died. We would like at A*DESK to remember, not just his work, but also the gestures that define people. With the opening of Tàpies Foundation, Barcelona gained a place where experimental proposals in art have a presence. Instead of being a space for the celebration of an individual, Tàpies Foundation has been an open scenario that has made it possible to raise the artistic level of a city that at this moment in time, is filled with dismay.
Gestures of this type are what indicate that there is some sense in continuing to work in the art world, to discover people who are capable of placing the needs of the sector and society, before personal glory or triumph. Just like Miró with Miró Foundation, Tàpies opened the door to other artists, to young creators with whom he shared a dialogue on equal terms, offering something which at the moment is in very short supply: respect.
In this edition of A*Magazine we present three new texts. Marti Manen analyzes the dangerous evolution of the art market and the institutional context. Clara López presents the reaction of Berlin in the face of the desire of politicians to commandeer artistic creation in the city, and Verónica Escobar analyzes the exhibition of Héctor Francesch at the Galería Hartmann in Barcelona.
"A desk is a dangerous place from which to watch the world" (John Le Carré)