Search
To search for an exact match, type the word or phrase you want in quotation marks.
A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.
At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.
You can decide how much you want to bring to the project.
It’s hard to find references about which many of us agree, and even more one that people from so many different ambits of culture are in agreement about. Lou Reed is one of these references. And he’s a reference that at A*DESK we think we all share, collaborators, readers and friends. From Lou Reed we learnt things that just aren’t taught in those universities of the arts. For example, the inevitable connection between creators from different areas, and how an absurd (economic) division means that we only sometimes talk about musicians, poets or artists. The Velvet Underground was Andy Warhol, just as Sonic Youth was Mike Kelley, etc. But, Lou Reed also appears as a trace of what was left by the 20th century, a trace of an idea of what the 20th century could have or wanted to be. His death has ultimately taken us by surprise, as he actually lived forty or fifty years longer than one might have foreseen. But this would have been the price for taking the risk, for seeking out the longed for, almost nostalgic, possibility of uniting art and life,with the latter being taken to its extremes. We leave you, in memory, with one of the most nostalgic videos that we could find, a short piece of film from the Factory with the Velvet.
"A desk is a dangerous place from which to watch the world" (John Le Carré)