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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.
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A section is devoted to contemporary art and culture.
It has no order but urgency.
Our horizon is defined by media landscapes. Natural landscapes (landscapes) were followed by urban landscapes (urbanscapes) and for decades it has been the media landscapes (mediascapes) that define and determine…Read more
During the press conference on the occasion of the 13th nomadic biennial Manifesta central exhibition’s last chapter opening —which this year is happening in France for the first time, specifically in…Read more
Dominated by women’s voices and queer perspectives, the 2020 edition of the Berlin Biennial devotes to the difficulties and triumphs of marginalized communities. The eleventh iteration of the biennial, entitled…Read more
The act of walking entered into artistic territory by spending soles for a Paris, the one of the twenties, with many corners to explore. Dadaist Machetes cleared paths, and later,…Read more
An exhibition as a story in three chapters. A narrative built in three scenes. A spatial arrangement of a sculptural installation thought, somehow, through the reading registers offered by a…Read more
That we live in an interconnected world has become clearer than ever during these months of 2020, which is not yet over. An interconnection that implies more mobility, more projection…Read more
1 Monday, 11 May 2020 8:15 It’s been raining non-stop for three days. This morning, when I woke up and, still in bed, looked out of the window, it seemed…Read more
Criticism, among many other things, is also advertising. To write about something (for better, for worse or for regulation) is to highlight it: the realization that, for the critic, it…Read more
With the cities inactive for months, by force grew in them wastelands, or as the architect Ignasi de Solà-Morales called them, terrain vague, giving them the cinematographic patina they deserve….Read more
"A desk is a dangerous place from which to watch the world" (John Le Carré)