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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.
At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.
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A section is devoted to contemporary art and culture.
It has no order but urgency.
When you step out of the elevator everything goes black, like you’re entering a movie theater. In fact, there are two or three “cinema-like” rooms in the space, though without…Read more
In 2021 on the French-Swiss border, a laboratory connected to the NGO Acro found elevated levels of radioactive particles in the air. Although not found in concentrations that posed urgent…Read more
Although all the histories of the countercultural movements are being recovered (the most recent, the exhibition ” Underground y contracultura en la Cataluña de los 70″ [Underground and counterculture in…Read more
We’ve heard it, we’ve all heard all about all the sticks and spears and swords, the things to bash and poke and hit with, the long, hard things, but we…Read more
Last week I heard this sentence: “Everything an artist do when telling stories about others is out of focus”. And some months ago I also heard this one: “I can’t…Read more
Everybody talks about time. We don’t, Alán Carrasco’s exhibition at ADN Galería immediately makes us think of docufiction, that cinematographic genre that captures reality while introducing unreal elements or fictional…Read more
This year’s Biennale is a surreal one, which flows between social justice and tokenism, opting for a revisit of the past and decentralized speeches in a city where cultural activities…Read more
In the workshop of Lara Fluxà, in Fase, from October to March is cold, but as in all workshops there was heat, like fire fed with oxygen to twist the…Read more
According to Google Maps the distance between the emblematic Freiduría Embajadores 84 and La Casa Encendida is 5 minutes. Simply walk down the street towards the Embajadores traffic circle and…Read more