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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

You can decide how much you want to bring to the project.

Armen Avanessian – Autor/a en A*Desk

Armen Avanessian was born in Vienna. He defines himself as a speech strategist, a publication activist and a platform creator. Based in Berlin, he trained in philosophy, literary theory and political sciences in Vienna, Bielefeld and in Paris with Jacques Rancière. He is a professor at several European and American universities. A founder of the bilingual research platform Spekulative Poetik, since 2014 he has been editor at Merve publishing house in Berlin. In 2017 he began to host a successful series of events under the name Armen Avanessian & Enemies at Volkbühne Berlin. He is a prolific writer, and has over a dozen books published, some of which have been translated into Spanish; Miamification and Realismo Especulativo will be out in May 2019, published by Materia Oscura, and Aceleracionismo published by Caja Negra (Buenos Aires). Also in English are Metanoia (Bloomsbury) and Irony and the Logic of Modernity (De Gruyter), to mention a few.

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"A desk is a dangerous place from which to watch the world" (John Le Carré)