close
Support A*Desk

A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

You can decide how much you want to bring to the project.

Jazmín Adler – Autor/a en A*Desk

Jazmín Adler (Buenos Aires, 1985). She is an art historian, researcher, and curator. She holds a PhD in Comparative Art Theory (UNTREF) and a Bachelor’s degree in Fine Arts (UBA). She is a researcher at CONICET and director of the Postgraduate Program “Technologies in Contemporary Art” (Faculty of Philosophy and Letters, UBA). She is a member of the peer review team for Leonardo (MIT Press) and the advisory committee for the CIFO-Ars Electronica New Media Grants & Commissions Award. Among other publications, she is the author of En busca del eslabón perdido: arte y tecnología en Argentina [In Search of the Missing Link: Art and Technology in Argentina], and editor of Desmantelando la máquina: transgresiones desde el arte y la tecnología en Latinoamérica [Dismantling the Machine: Transgressions from Art and Technology in Latin America]. She is a member of the Colectivo Ludión: a Latin American exploratory project on technological poetics/politics (Faculty of Social Sciences, UBA). She has been a postdoctoral fellow of the Deutscher Akademischer Austauschdienst (DAAD) at the Berlin University of the Arts and at the Getty Research Institute in Los Angeles. Her recent curatorial projects include Gyula Kosice. En tiempo real [Gyula Kosice.In Real Time] (Castagnino+macro Museum, Rosario),  Soberanía de las cosas [Sovereignty of Things] (Libertad Palace, Buenos Aires); III Multimedia Arts Biennial (CAC, Quito); Desvíos: subvertir las inteligencias artificiales  [Detours: Subverting Artificial Intelligences] (EAC, Montevideo); Planetary Atoll: Connecting Latin American Dots (panke.gallery and SAVVY, Berlin); and Dislocaciones: ejercicios de recomposición [Dislocations: Exercises in Recomposition] (Andreani Foundation, Buenos Aires).
Photo: Martin-Tricarico

Media Partners:

close
close
"A desk is a dangerous place from which to watch the world" (John Le Carré)