A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

You can decide how much you want to bring to the project.

Núria Gómez Gabriel – Autor/a en A*Desk

Núria Gómez Gabriel (Barcelona, 1987) is a researcher in the field of communication and contemporary visual cultures. Her practice crosses critical pedagogies, writing and curating. She works as a university professor in the Degree in Arts and Design of the UAB and collaborates in the Colectivo de Investigación Estética de los Medios Audiovisuales of the UPF of Barcelona, where she has deposited her doctoral thesis Espectropolíticas. Image and hauntology in contemporary artistic practices. Co-author of the book Love me, Tinder (Temas de hoy). She publishes in platforms like CCCBLAB Investigación e Innovación en Cultura or TEATRON. Her projects have been shown in contexts such as the 5th TABAKALERA International Film Seminar, the FEMTEK Feminisms and Technology Festival, the LOOP Barcelona International Video Art Festival, the Kosmopolis Extended Literature Festival at the CCCB, The Museum is Closed at the MACBA and the CA2M, Las Jornadas de Estudio de la Imagen, among others.

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"A desk is a dangerous place from which to watch the world" (John Le Carré)