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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

You can decide how much you want to bring to the project.

Renata Cervetto – Autor/a en A*Desk

Renata Cervetto has a degree in art history (Universidad de Buenos Aires, 2011) and graduated from the curatorial program at the Appel arts centre in Amsterdam (2013-2014). In 2014 she obtained the first Curatorial Fellowship granted by the Ammodo Foundation (NL), for which she researched artistic and curatorial practices in dialogue with pedagogy. This practical and theoretical work has been compiled in the book “The Fellow Reader #1. On Boycotts, Censorship and Educational Practices” (from Appel art centre, 2014). Between 2015 and 2018 she was Coordinator of the Education area of MALBA (Museo de Arte Latinoamericano de Buenos Aires). In 2016, she co-edited the publication “Shake before you use. Educational, social and artistic displacements in Latin America” together with Miguel A. López (TEOR/éTica and MALBA. 2017). Between 2019 and 2020, she was curator of the 11th Berlin Biennale, “The cracks begin within”, together with Agustín Pérez Rubio, María Berríos and Lisette Lagnado. 

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"A desk is a dangerous place from which to watch the world" (John Le Carré)