A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

You can decide how much you want to bring to the project.

Yazan Khalili – Autor/a en A*Desk

Yazan Khalili, Lives and works in and out of Palestine. He is an artist and cultural producer. His works has been exhibited in several major exhibitions, including among others: New Photography, MoMA 2018, Jerusalem Lives, Palestinian Museum, 2017, Shanghai Biennial 2016. He received a degree in architecture from Birzeit University in 2003 and in 2010 received his MA degree from the Centre for Research Architecture at Goldsmith’s College, and in 2015 his MFA degree at Sandberg Institute, Amsterdam. He was one of the founding members of Zan Design Studio (2005-2010), and the Radio AlHara online community radio 2020. In 2015, he co-organized Walter Benjamin in Palestine workshop and symposium, and has been the director of Khalil Sakakini Cultural Centre between 2015 until end of 2019. Currently he is the co-chair of the Photography department of the MFA program at Bard College, NY, and an artist in residence at the Rijksakademie, Amsterdam.

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"A desk is a dangerous place from which to watch the world" (John Le Carré)