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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated selflessly with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

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Magazine

25 January 2012
Criticism and criticality

A*DESK

We are in a time of very rapid changes. Reality supersedes fiction in the generation of inputs. Ships sink, banks are re-floated, web pages are closed down, politicians are in court, local protests that go global in seconds, projects that were previously utopian now receive direct financing from future participants…something is occurring, and its occurring now.

In a process of constant change, criticism (and the criticism of more traditional art) doesn’t know where it stands. We need time! It’s true. We need to be read! It’s also true. Nobody’s interested in us! And here lie the doubts… Could it not be the opposite? Is it not that some of the more traditionalist sectors aren’t interested in what is going on? Is it not that the comfort of knowing how things function has dissipated a large part of the critical capacity and capacity for action? Is it not that we fear the existence of other pathways, with which we are not familiar?

Criticism, of course, needs self-criticism. It also needs constantly to reconsider its forms, communication and language. And in a world where criticality begins to be dominant, criticism cannot lose its capacity…to criticise.

In this edition we publish three new texts. Lorena Muñoz-Alonso analyses the situation of criticism after a few events exploring this subject in London. Montse Badia takes a look at the exhibition curated by Kaspar König in Köln and Oriol Fontdevila analyses the work of Perejaume in the context of La Pedrera in Barcelona.

A*DESK, Independent Institute of Criticism and Contemporary Art, is dedicated to learning, publishing and research related to the criticism of contemporary art. Taking the view that critical thought makes individuals free, its mission is to defend actively the importance of criticism: to generate debate about contemporary art, to enable each individual to establish their own opinion and by doing so promote culture.

Articles

25 January 2012

Criticism and criticality

31 December 2018

Artist’s Status

30 November 2018

COREOGRAPHY

31 October 2018

STONES

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"A desk is a dangerous place from which to watch the world" (John Le Carré)