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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.
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Artists for a while now have been able to work with an infinite variety of materials, ideas and methodologies. In the art world we are used to art practices that micmic and infiltrate all spheres of life (public and private). But sometimes it is healthy to take a step back and see what happens when things are exaggerated, just a little. The episode Art Project from Portlandia does just that.
Portlandia is a television series on the Independent Film Channel, that was released in January 2011. The series is set in Portland (Oregon) a setting that in principle is irrelevant that over time, with the sketches, becomes more and more loaded with content.
In the episode Art Project, conceptual art and Portland are looked upon through a distorting mirror, where the image, however much it is exaggerated still remains faithful to reality. Where the humour doesn’t hide its sharp criticism.
A*DESK, Independent Institute of Criticism and Contemporary Art, is dedicated to learning, publishing and research related to the criticism of contemporary art. Taking the view that critical thought makes individuals free, its mission is to defend actively the importance of criticism: to generate debate about contemporary art, to enable each individual to establish their own opinion and by doing so promote culture.
Exaggerating, but not that much
Sharing the archive with … Peter Freund
Artist’s Status
Artists, status and other contradictions
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"A desk is a dangerous place from which to watch the world" (John Le Carré)