A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.

At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.

You can decide how much you want to bring to the project.

Juan Rodrigáñez – Autor/a en A*Desk

Juan Rodrigáñez (Madrid, 1971) is a film director. Before getting a degree in History, he studied cinema for one year. Later, in addition to other jobs, he directed the La Verde Oliva art gallery in Granada and co-edited Vera, a poetry magazine. In 2008 he created the film production company Tajo Abajo and in 2013 he founded the Illiterate Art Institute with a group of choreographers and performers, with whom he produced and directed his first feature film Der Geldkomplex (The Money Complex) in 2015. In 2018 he premiered his second feature film, Derechos del hombre (Rights of Man). Since 2022, he runs the Instituto de la tierra (Earth Institute) at El Planchón with the artistic director Andrea Pacheco.

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"A desk is a dangerous place from which to watch the world" (John Le Carré)