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A*DESK has been offering since 2002 contents about criticism and contemporary art. A*DESK has become consolidated thanks to all those who have believed in the project, all those who have followed us, debating, participating and collaborating. Many people have collaborated with A*DESK, and continue to do so. Their efforts, knowledge and belief in the project are what make it grow internationally. At A*DESK we have also generated work for over one hundred professionals in culture, from small collaborations with reviews and classes, to more prolonged and intense collaborations.
At A*DESK we believe in the need for free and universal access to culture and knowledge. We want to carry on being independent, remaining open to more ideas and opinions. If you believe in A*DESK, we need your backing to be able to continue. You can now participate in the project by supporting it. You can choose how much you want to contribute to the project.
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Martí Manen
en Spot.us investigan otros sistemas para tratar el “problema” que supone la red para las publicaciones.
Así a lo rápido: plantean temas a abordar y son los lectores quien, mediante contribuciones económicas deciden si se va a escribir un artículo sobre un tema en específico o no.
Parece que, en algunos casos, la cosa funciona. En este momento llevan 3.200 dólares de lectores que quieren que se investigue sobre el presupuesto del ayuntamiento de San Francisco. un buen pico.
La medida puede sonar a populista pero no está mal preguntarse sobre los motivos varios al seleccionar qué temas tratar o qué pasaria con un sistema como este en el mundo del arte…
Director of Index Foundation, Stockholm, exhibition curator and art critic. Yes, after Judith Butler it is possible to be several things at once. He thinks that questions are important and that, sometimes, to ask means to point out.
Pagar para decidir qué se escribe
New New New Institutionalism
“There are no top and second tiers, only coexistence and possibility”. Interview with Chus Martínez
“The body of the institution is a body with a choral voice”. Interview with Manuel Segade
“There are political forces that aim to dismantle public arts funding”. Interview with Theodor Ringborg
"A desk is a dangerous place from which to watch the world" (John Le Carré)